Theatre in Practice

A Student's Handbook
Author: Nick O'Brien,Annie Sutton
Publisher: Routledge
ISBN: 1351973010
Category: Performing Arts
Page: 270
View: 4506

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Theatre in Practice is an accessible and wide-ranging exploration of the central practices and key practitioners covered on the various syllabi at A level, IB, BTEC and beyond. Exploring Stanislavski, Brecht, Artaud, Lecoq, Berkoff and Craig, as well as work from innovative theatre companies such as Complicite, Gecko and The Paper Birds, it combines an informal, unpretentious tone with a wealth of practical exercises. Revised and updated to meet the most recent post-16 and A level drama requirements and to include some of the latest practices in theatre, this new edition offers a step-by-step approach to developing key skills such as devising, improvising, rehearsing mono/duologues and directing plays. Written by specialists with extensive experience leading workshops for the post-16 age-group, Theatre in Practice is a thorough and imaginative resource that speaks directly to students. New for this edition: A new chapter exploring Artaud and how to use Artaud with text and when devising. A new chapter exploring the progression of practice from Lecoq to Complicite. A series of step-by-step exercises exploring the Gecko devising process. An exploration of the work of The Paper Birds and E G Craig when devising. New exercises on how to devise using Stanislavski and Brecht.

Shakespeare and Political Theatre in Practice


Author: Andrew James Hartley
Publisher: Macmillan International Higher Education
ISBN: 1137190167
Category: Performing Arts
Page: 176
View: 8426

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What makes a Shakespeare production political? Can Shakespeare's plays ever be truly radical? Revealing the unspoken politics of Shakespeare's plays on stage, Andrew Hartley examines their nature, agenda, limits and potential. In considering key theoretical issues, analysing a wide range of productions, and engaging in a collaborative debate with Professor Ayanna Thompson, Hartley highlights a more consciously political approach to making theatre out of Shakespeare's scripts – and to experiencing it as an audience. Dynamic and provocative, this book is a crucial text for students and theatre practitioners alike.

Theatre in Prison

Theory and Practice
Author: Michael Balfour
Publisher: Intellect Books
ISBN: 1841500666
Category: Performing Arts
Page: 206
View: 5988

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From role-plays with street gangs in the USA to Beckett in Brixton; from opera productions with sex offenders to psychodrama with psychopaths, the book will discuss, analyse and reflect on theoretical notions and practical applications of theatre for and with the incarcerated. Theatre in Prison is a collection of thirteen international essays exploring the rich diversity of innovative drama works in prisons. The book includes an introduction that will present a contextualisation of the prison theatre field. Thereafter, leading practitioners and academics will explore key aspects of practice – problemitising, theorising and describing specific approaches to working with offenders. The book also includes extracts from prison plays, poetry and prisoners writings that offer illustrations and insights into the experience of prison life.

Brecht in Practice

Theatre, Theory and Performance
Author: David Barnett
Publisher: Bloomsbury Publishing
ISBN: 1408186020
Category: Performing Arts
Page: 256
View: 6789

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David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.

The Open Stage

And the Modern Theatre in Research and Practice
Author: Richard Southern
Publisher: London : Faber and Faber
ISBN: N.A
Category: Arena theater
Page: 125
View: 6157

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Stanislavski in Practice

Exercises for Students
Author: Nick O'Brien
Publisher: Routledge
ISBN: 1351985957
Category: Performing Arts
Page: 258
View: 7909

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Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s system. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike through the use of practical exercises that allow students to develop their skills. This second edition offers more exercises for the actor, and also new sections on directing and devising productions. Each element of the system is covered practically through studio exercises and jargon-free discussion. This is the perfect exercise book for students and a lesson planner for teachers at post-16 and first year undergraduate level. Exercises are designed to support syllabi from Edexcel, Eduqas, OCR and AQA to the practice-based requirements of BTEC and IB Theatre. New to this edition: Thoroughly reorganized sections, including 'Work on the Actor', 'Work on a Role' and 'Developing your Practice'; A new chapter on using Stanislavski when devising with a series of exercises that will allow students to structure and create characters within the devising process; A new chapter, Directing Exercise Programme, which will be a series of exercises that allows the student to develop their skills as a director; New glossary with US and UK terms; New exercises developed since the publication of the first edition; A new chapter going beyond Stanislavski, exploring exercises from Michael Chekhov, Maria Knebel and Katie Mitchell.

Theatre in the Expanded Field

Seven Approaches to Performance
Author: Alan Read
Publisher: A&C Black
ISBN: 1408185644
Category: Performing Arts
Page: 320
View: 976

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Theatre in the Expanded Field is a fiercely original, bold and daring exploration of the fields of theatre and performance studies and the received narratives and histories that underpin them. Rich with interdisciplinary reference, international, eclectic and broad-ranging in its examples, it offers readers a compelling and provocative reassessment of the disciplines, one that spans pre-history to the present day. Sixty years ago, in 1962, Richard Southern wrote a remarkable book called The Seven Ages of the Theatre. It was unusual in its time for taking a trans-disciplinary, new-historical and avowedly internationalist approach to its subject - nothing less than a totalizing view of its field. Theatre in the Expanded Field does not attempt to mimic Southern's work but rather takes his spirit of adventure and ambition as its frame for the contemporary moment of performance and its diverse pasts. Identifying seven ways of exploring the performance field, from pre-history to postdramatic theatre the book presents studies of both contemporary and historical works not as a chronological succession, but in keeping with their coeval qualities, as movements or 'generations' of connection and interaction, dissensus and interruption. It does this with the same purpose as Richard Southern's original work: to provide for the planning of responsive performance spaces 'now'. Illustrated throughout with line-drawings, Theatre in the Expanded Field is as richly rewarding as it is ambitious and expansive in it vision.

The Community Theatre in Theory and Practice


Author: Louise Burleigh
Publisher: BiblioBazaar, LLC
ISBN: 9781110429073
Category: History
Page: 242
View: 1549

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Playing with Theory in Theatre Practice


Author: Megan Alrutz,Julia Listengarten,M. Van Duyn Wood
Publisher: Macmillan International Higher Education
ISBN: 0230364101
Category: Performing Arts
Page: 328
View: 9996

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Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.

Contemporary Theatre in Education


Author: Roger Wooster
Publisher: Intellect Books
ISBN: 1841501700
Category: Education
Page: 160
View: 5809

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Theatre in Education emerged in the mid-sixties as a unique hybrid of performance and child-centred learning. Contemporary Theatre in Education charts the creation and adaptation of this hybrid through the changing political, economic and educational environment. It also takes a snapshot of the TIE being created today, considering all the projects being performed in Wales during a single month. The projects are analysed and every TIE director interviewed about the work and the policies of their companies. It becomes very clear that that the distinction between TIE and Childrens Theatre is being blurred.

Theatre and Everyday Life

An Ethics of Performance
Author: Alan Read
Publisher: Routledge
ISBN: 113491458X
Category: Performing Arts
Page: 276
View: 5172

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Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life. It is a theatre which defines itself in terms of people and places rather than the idealised empty space of avant garde performance. Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment. His book is a persuasive demand for a critical theory of theatre which is as mentally supple as theatre is physically versatile.

COMMUNITY THEATRE IN THEORY &


Author: Louise 1890 Burleigh
Publisher: Wentworth Press
ISBN: 9781361644812
Category: History
Page: 254
View: 7394

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dramatherapy and Social Theatre

Necessary Dialogues
Author: Sue Jennings
Publisher: Routledge
ISBN: 1134101686
Category: Drama
Page: 264
View: 2466

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Dramatherapy and Social Theatre: Necessary Dialogues considers the nature of drama, theatre and dramatherapy, examining how dramatherapy has evolved over the past decade and how the relationship between dramatherapy and social theatre has developed as a result. In this book Sue Jennings brings together international dramatherapists and theatre practitioners to challenge, clarify, describe and debate some of the theoretical and practical issues in dramatherapy and social theatre. Contributors cover topics including: dramatherapy in communities ground rules and definitions cross-cultural perspectives dramatherapy with adoptive and foster families research with professional actors. Dramatherapy and Social Theatre is illustrated throughout with case vignettes providing examples of how theatre and therapeutic processes can be brought together. It will be valuable reading for both professionals and students involved in dramatherapy and theatre studies.

Contemporary Feminist Theatres

To Each Her Own
Author: Lizbeth Goodman
Publisher: Routledge
ISBN: 113490696X
Category: Performing Arts
Page: 328
View: 8125

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Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on original research and fresh data, Contemporary Feminst Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry.

Theatre in Crisis?

Performance Manifestos for a New Century
Author: Maria M. Delgado,Caridad Svich
Publisher: Manchester University Press
ISBN: 9780719062919
Category: Performing Arts
Page: 273
View: 4727

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Theatre in Crisis? Performance Manifestos for a New Century is a wide-ranging look at the state of contemporary theater practice, economics, and issues related to identity, politics, and technology. The volume offers a snapshot dissection of where theater is, where it has been and where it might be going through the voices of established and emerging theater artists and scholars from the UK, US, and elsewhere. Contributors: Maria M. Delgado & Caridad Svich • Oliver Mayer, Jorge Cortiñas, Neena Beber, & Craig Lucas • Jim Carmody • Roberta Levitow • Peter Lichtenfels & Lynette Hunter • Michael Billington • Claire H. Macdonald • Anna Furse • Phyllis Nagy • Max Stafford-Clark • Len Berkman • DD Kugler • Tori Haring-Smith • John London • Kia Corthron • Alice Tuan • Ricardo Szwarcer • Peter Sellars • Dragan Klaic • Lisa D’Amour • Paul Heritage • Matthew Causey • Andy Lavender • Jon Fosse • Erik Ehn • Matthew Maguire • Shelley Berc • Ruth Margraff • Martin Epstein • Mac Wellman • Goat Island

Applied Theatre: Development


Author: Tim Prentki
Publisher: Bloomsbury Publishing
ISBN: 1472508289
Category: Performing Arts
Page: 304
View: 6510

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At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered this sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others.

Research Methods in Theatre and Performance


Author: Baz Kershaw
Publisher: Edinburgh University Press
ISBN: 0748688102
Category: Performing Arts
Page: 256
View: 5350

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How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide