Theaters of the American Revolution


Author: James Kirby Martin,Mark Edward Lender,Edward G. Lengel,Jim Piecuch
Publisher: N.A
ISBN: 9781594162756
Category: History
Page: N.A
View: 9434

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The War of the Revolution


Author: Christopher Ward
Publisher: Skyhorse Publishing, Inc.
ISBN: 1616080809
Category: History
Page: 1012
View: 1927

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“The War of the Revolution is a solid chunk of scholarship, likely toendure as a classical work on its subject.”—Time

Revolutionary Acts

Amateur Theater and the Soviet State, 1917-1938
Author: Lynn Mally
Publisher: Cornell University Press
ISBN: 9780801437694
Category: History
Page: 250
View: 1872

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During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.

Revolutionary New Jersey

Forgotten Towns and Crossroads of the American Revolution
Author: Robert Adrian Mayers
Publisher: N.A
ISBN: 9781939995292
Category: New Jersey
Page: 408
View: 2034

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Many of the critical events and dreadful realities of the intense warfare in New Jersey during the American Revolution have been forgotten, neglected, or lost to history. Sites in the Garden State where patriots fought and died remain unmarked, shrouded in mystery, clouded in mythology, or concealed by obscure accounts and dull statistics. Many places in the "Crossroads of the Revolution" state have entirely disappeared, while others languish unnoticed or have been built over by town development and local highways. Many of the Garden State residents who commute every day over heavily trafficked streets are completely unaware of the fierce struggles that occurred along their route during America's most important war. In "Revolutionary New Jersey" New Jersey-based author Robert Mayers has rediscovered and revived the history of previously forsaken locations by exploring them in person. He then enhances his observations from on-site visits with fresh research from original documents, often discovered in obscure British, Hessian and French records. The reader is subsequently transported to the battlefields and encampments in three theaters of the conflict in New Jersey- "The War in the Countryside," "The War at the Shore" and "New Jersey Campgrounds"-by describing Revolutionary events which occurred in more than 100 present-day towns. This narrative escorts readers back in time to feel, see, and hear the action that occurred over 200 years ago in familiar settings. It is hoped that all readers of Bob Mayers's newest book will acquire a new respect for the Revolutionary War events that took place locally (and in some instances in their own backyards). It is through this awareness that local sites might be maintained, and the glorious memory of those individuals who fought for our freedom preserved for the future.

London in a Box

Englishness and Theatre in Revolutionary America
Author: Odai Johnson
Publisher: University of Iowa Press
ISBN: 1609384946
Category: Performing Arts
Page: 294
View: 3589

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If one went looking for the tipping point in the prelude to the American Revolution, it would not be the destruction of the tea in Boston Harbor, or the blockade of Boston by British warships, or even the gathering of the first Continental Congress; rather, it was the Congress’s decision in late October of 1774 to close the theatres. In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens. London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. The ambitious Scotsman’s business was teaching provincial colonials to dress and behave as genteel British subjects. Through the plays he staged, the scenery and costumes, and the bearing of his actors, he displayed London fashion and London manners. He counted among his patrons the most influential men in America, from British generals and governors to local leaders, including the avid theatre-goers George Washington and Thomas Jefferson. By 1774, Douglass operated a monopoly of theatres in six colonies and the Anglophone Caribbean, from Jamaica to Charleston and northward to New York City. (Boston remained an impregnable redoubt against theatre.) How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.

The American Revolution 1774–1783


Author: Daniel Marston
Publisher: Bloomsbury Publishing
ISBN: 1472810112
Category: History
Page: 96
View: 9815

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The American Revolution has been characterized politically as a united political uprising of the American colonies and militarily as a guerrilla campaign of colonists against the inflexible British military establishment. Daniel Marston argues that this belief, though widespread, is a misconception. He contends that the American Revolution, in reality, created deep political divisions in the population of the Thirteen Colonies, while militarily pitting veterans of the Seven Years' War against one another, in a conflict that combined guerrilla tactics and classic eighteenth century campaign techniques on both sides. The peace treaty of 1783 that brought an end to the war marked the formal beginning of the United States of America as an independent political entity.

Stagestruck

The Business of Theater in Eighteenth-Century France and Its Colonies
Author: Lauren R. Clay
Publisher: Cornell University Press
ISBN: 0801468205
Category: History
Page: 320
View: 1474

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Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, Lauren R. Clay illuminates the wide-ranging consequences of theater's spectacular growth for performers, spectators, and authorities in cities throughout France as well as in the empire's most important Atlantic colony, Saint-Domingue. Clay argues that outside Paris the expansion of theater came about through local initiative, civic engagement, and entrepreneurial investment, rather than through actions or policies undertaken by the royal government and its agents. Reconstructing the business of theatrical production, she brings to light the efforts of a wide array of investors, entrepreneurs, directors, and actors-including women and people of color-who seized the opportunities offered by commercial theater to become important agents of cultural change. Portraying a vital and increasingly consumer-oriented public sphere beyond the capital, Stagestruck overturns the long-held notion that cultural change flowed from Paris and the royal court to the provinces and colonies. This deeply researched book will appeal to historians of Europe and the Atlantic world, particularly those interested in the social and political impact of the consumer revolution and the forging of national and imperial cultural networks. In addition to theater and literary scholars, it will attract the attention of historians and sociologists who study business, labor history, and the emergence of the modern French state.

Journal of the American Revolution

Annual
Author: Todd Andrlik,Don N. Hagist
Publisher: N.A
ISBN: 9781594163043
Category:
Page: 400
View: 7140

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The Journal of the American Revolution, Annual Volume 2018, presents the journal's best historical research and writing over the past calendar year. The volume of forty-one articles is designed for institutions, scholars, and enthusiasts to provide a convenient overview of the latest research and scholarship in American Revolution studies.

The Continental Army


Author: Robert K. Wright,Center of Military History
Publisher: Washington, D.C. : Center of Military History, United States Army
ISBN: N.A
Category: United States
Page: 451
View: 1377

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A narrative analysis of the complex evolution of the Continental Army, with the lineages of the 177 individual units that comprised the Army, and fourteen charts depicting regimental organization.

The Struggle for Sea Power: A Naval History of the American Revolution


Author: Sam Willis
Publisher: W. W. Norton & Company
ISBN: 0393248836
Category: History
Page: 672
View: 6094

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A fascinating naval perspective on one of the greatest of all historical conundrums: How did thirteen isolated colonies, which in 1775 began a war with Britain without a navy or an army, win their independence from the greatest naval and military power on earth? The American Revolution involved a naval war of immense scope and variety, including no fewer than twenty-two navies fighting on five oceans—to say nothing of rivers and lakes. In no other war were so many large-scale fleet battles fought, one of which was the most strategically significant naval battle in all of British, French, and American history. Simultaneous naval campaigns were fought in the English Channel, the North and Mid-Atlantic, the Mediterranean, off South Africa, in the Indian Ocean, the Caribbean, the Pacific, the North Sea and, of course, off the eastern seaboard of America. Not until the Second World War would any nation actively fight in so many different theaters. In The Struggle for Sea Power, Sam Willis traces every key military event in the path to American independence from a naval perspective, and he also brings this important viewpoint to bear on economic, political, and social developments that were fundamental to the success of the Revolution. In doing so Willis offers valuable new insights into American, British, French, Spanish, Dutch, and Russian history. This unique account of the American Revolution gives us a new understanding of the influence of sea power upon history, of the American path to independence, and of the rise and fall of the British Empire.

Theaters of Madness

Insane Asylums and Nineteenth-Century American Culture
Author: Benjamin Reiss
Publisher: University of Chicago Press
ISBN: 0226709655
Category: Psychology
Page: 240
View: 2220

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In the mid-1800s, a utopian movement to rehabilitate the insane resulted in a wave of publicly funded asylums—many of which became unexpected centers of cultural activity. Housed in magnificent structures with lush grounds, patients participated in theatrical programs, debating societies, literary journals, schools, and religious services. Theaters of Madness explores both the culture these rich offerings fomented and the asylum’s place in the fabric of nineteenth-century life, reanimating a time when the treatment of the insane was a central topic in debates over democracy, freedom, and modernity. Benjamin Reiss explores the creative lives of patients and the cultural demands of their doctors. Their frequently clashing views turned practically all of American culture—from blackface minstrel shows to the works of William Shakespeare—into a battlefield in the war on insanity. Reiss also shows how asylums touched the lives and shaped the writing of key figures, such as Emerson and Poe, who viewed the system alternately as the fulfillment of a democratic ideal and as a kind of medical enslavement. Without neglecting this troubling contradiction, Theaters of Madness prompts us to reflect on what our society can learn from a generation that urgently and creatively tried to solve the problem of mental illness.

Abductions in the American Revolution

Attempts to Kidnap George Washington, Benedict Arnold and Other Military and Civilian Leaders
Author: Christian McBurney
Publisher: McFarland
ISBN: 1476663645
Category: History
Page: 232
View: 6390

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The tactic of kidnapping enemy leaders, used in the recent wars in Iraq and Afghanistan, dates to the American Revolution. George Washington called such efforts "honorable" and supported attempts to kidnap the British commander-in-chief (twice), Benedict Arnold (after he turned traitor) and a future king of Great Britain. Washington in turn was targeted at his Morristown winter headquarters by British dragoons who crossed the frozen Hudson River. New Jersey Governor William Livingston went to considerable lengths to avoid being abducted by the Loyalist raider James Moody. Sometimes these operations succeeded, as with the spectacular captures of Major General Charles Lee, Major General Richard Prescott and North Carolina Governor Thomas Burke. The abducted, such as Declaration of Independence signatory Richard Stockton and Delaware's Governor John McKinly, faced risks to their reputations. The kidnapper risked all--if caught, he could be hanged. This book covers attempted and successful abductions of military and civilian leaders from 1775 to 1783.

The New Yorker Theater and Other Scenes from a Life at the Movies


Author: Toby Talbot
Publisher: Columbia University Press
ISBN: 0231145667
Category: Biography & Autobiography
Page: 352
View: 3685

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"In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order.".

Fatal Sunday

George Washington, the Monmouth Campaign, and the Politics of Battle
Author: Mark Edward Lender,Garry Wheeler Stone
Publisher: University of Oklahoma Press
ISBN: 0806155132
Category: History
Page: 624
View: 2192

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Historians have long considered the Battle of Monmouth one of the most complicated engagements of the American Revolution. Fought on Sunday, June 28, 1778, Monmouth was critical to the success of the Revolution. It also marked a decisive turning point in the military career of George Washington. Without the victory at Monmouth Courthouse, Washington's critics might well have marshaled the political strength to replace him as the American commander-in-chief. Authors Mark Edward Lender and Garry Wheeler Stone argue that in political terms, the Battle of Monmouth constituted a pivotal moment in the War for Independence. Viewing the political and military aspects of the campaign as inextricably entwined, this book offers a fresh perspective on Washington’s role in it. Drawing on a wide range of historical sources—many never before used, including archaeological evidence—Lender and Stone disentangle the true story of Monmouth and provide the most complete and accurate account of the battle, including both American and British perspectives. In the course of their account it becomes evident that criticism of Washington’s performance in command was considerably broader and deeper than previously acknowledged. In light of long-standing practical and ideological questions about his vision for the Continental Army and his ability to win the war, the outcome at Monmouth—a hard-fought tactical draw—was politically insufficient for Washington. Lender and Stone show how the general’s partisans, determined that the battle for public opinion would be won in his favor, engineered a propaganda victory for their chief that involved the spectacular court-martial of Major General Charles Lee, the second-ranking officer of the Continental Army. Replete with poignant anecdotes, folkloric incidents, and stories of heroism and combat brutality; filled with behind-the-scenes action and intrigue; and teeming with characters from all walks of life, Fatal Sunday gives us the definitive view of the fateful Battle of Monmouth.

George Vs. George

The American Revolution As Seen from Both Sides
Author: Rosalyn Schanzer
Publisher: Paw Prints
ISBN: 9781442075535
Category:
Page: 60
View: 3158

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Takes a unique and lively approach to the story of the American Revolution by weaving the tale around two quite similar leaders--George Washington and King George III--offering insights into the actions and convictions of participants on both sides of the Atlantic. Reprint.

Spies, Patriots, and Traitors

American Intelligence in the Revolutionary War
Author: Kenneth A. Daigler
Publisher: Georgetown University Press
ISBN: 1626160511
Category: History
Page: 336
View: 9706

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Students and enthusiasts of American history are familiar with the Revolutionary War spies Nathan Hale and Benedict Arnold, but few studies have closely examined the wider intelligence efforts that enabled the colonies to gain their independence. Spies, Patriots, and Traitors provides readers with a fascinating, well-documented, and highly readable account of American intelligence activities during the era of the Revolutionary War, from 1765 to 1783, while describing the intelligence sources and methods used and how our Founding Fathers learned and practiced their intelligence role. The author, a retired CIA officer, provides insights into these events from an intelligence professional’s perspective, highlighting the tradecraft of intelligence collection, counterintelligence, and covert actions and relating how many of the principles of the era’s intelligence practice are still relevant today. Kenneth A. Daigler reveals the intelligence activities of famous personalities such as Samuel Adams, George Washington, Benjamin Franklin, Nathan Hale, John Jay, and Benedict Arnold, as well as many less well-known figures. He examines the important role of intelligence in key theaters of military operations, such as Massachusetts, New York, New Jersey, Pennsylvania, and in General Nathanael Greene’s campaign in South Carolina; the role of African Americans in the era’s intelligence activities; undertakings of networks such as the Culper Ring; and intelligence efforts and paramilitary actions conducted abroad. Spies, Patriots, and Traitors adds a new dimension to our understanding of the American Revolution. The book’s scrutiny of the tradecraft and management of Revolutionary War intelligence activities will be of interest to students, scholars, intelligence professionals, and anyone who wants to learn more about this fascinating era of American history.

Playing Underground

A Critical History of the 1960s Off-off-Broadway Movement
Author: Stephen J. Bottoms
Publisher: University of Michigan Press
ISBN: 9780472031948
Category: Performing Arts
Page: 401
View: 8879

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The first comprehensive history of the roots of off-off Broadway, a theater whose legacy is still felt today. It was the launching pad for many leading contemporary theater artists, including Sam Shepard, Maria Irene Fornes, and others, and it was a pivotal influence on improv comedy and shows like Saturday Night Live.

The Theater is in the Street

Politics and Performance in Sixties America
Author: Bradford D. Martin
Publisher: Univ of Massachusetts Press
ISBN: 9781558494589
Category: History
Page: 210
View: 1031

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During the 1960s, the SNCC Freedom Singers, The Living Theatre, the Diggers, the Art Workers Coalition, and the Guerrilla Art Action Group fused art and politics by staging unexpected and uninvited performances in public spaces. Through their activism and the response it provoked, art, theater, and politics began to converge and assume a new visibility in everyday life. While their specific political visions varied, these groups shared the impulse to stage performances and actions publicly -- "in the streets" -- eschewing museums, theaters, and other conventional halls of culture. Bradford D. Martin offers detailed portraits of each of these groups and examines why they embraced public performance as a vehicle to express and advance their politics. At a time when the New Left and the counterculture were on the rise, these artists reflected the decade's political and cultural radicalism and helped to define a new aesthetic. Civil rights activists mobilized singing in the struggle for desegregation, introducing a vibrant musical form into the public space. The Living Theatre culminated an arduous quest to mesh artistic and political goals, leading audiences from theaters into the streets to begin the "beautiful nonviolent anarchist revolution." The Diggers playfully engaged San Francisco's counterculture in politics with their carnivalesque public actions. The Art Workers Coalition and the Guerrilla Action Art Group sought to disrupt the conventional art world, mounting protests in and around New York City museums. By questioning the values and assumptions that separated art from politics, these groups not only established public performance as a legitimate aesthetic but also provided a new creative vocabulary for future generations of artists. Their continued involvement with the women's liberation movement, rural communes, and political street theater into the 1970s and beyond challenges the popular myth that activists disengaged from politics after the 1960s.

Political Actors

Representative Bodies and Theatricality in the Age of the French Revolution
Author: Paul Friedland
Publisher: Cornell University Press
ISBN: 9780801488092
Category: Drama
Page: 351
View: 7841

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From the start of the French Revolution, contemporary observers were struck by the overwhelming theatricality of political events. Examples of convergence between theater and politics included the election of dramatic actors to powerful political and military positions and reports that deputies to the National Assembly were taking acting lessons and planting paid "claqueurs" in the audience to applaud their employers on demand. Meanwhile, in a mock national assembly that gathered in an enormous circus pavilion in the center of Paris, spectators paid for the privilege of acting the role of political representatives for a day.Paul Friedland argues that politics and theater became virtually indistinguishable during the Revolutionary period because of a parallel evolution in the theories of theatrical and political representation. Prior to the mid-eighteenth century, actors on political and theatrical stages saw their task as embodying a fictional entity--in one case a character in a play, in the other, the corpus mysticum of the French nation. Friedland details the significant ways in which after 1750 the work of both was redefined. Dramatic actors were coached to portray their parts abstractly, in a manner that seemed realistic to the audience. With the creation of the National Assembly, abstract representation also triumphed in the political arena. In a break from the past, this legislature did not claim to be the nation, but rather to speak on its behalf. According to Friedland, this new form of representation brought about a sharp demarcation between actors--on both stages--and their audience, one that relegated spectators to the role of passive observers of a performance that was given for their benefit but without their direct participation. Political Actors, a landmark contribution to eighteenth-century studies, furthers understanding not only of the French Revolution but also of the very nature of modern representative democracy.