The Continental Aesthetics Reader


Author: Clive Cazeaux
Publisher: Routledge
ISBN: 1351226363
Category: Philosophy
Page: 768
View: 2451

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The Continental Aesthetics Reader brings together classic and contemporary writings on art and aesthetics from the major figures in continental thought. The second edition is clearly divided into seven sections: Nineteenth-Century German Aesthetics Phenomenology and Hermeneutics Marxism and Critical Theory Excess and Affect Embodiment and Technology Poststructuralism and Postmodernism Aesthetic Ontologies. Each section is clearly placed in its historical and philosophical context, and each philosopher has an introduction by Clive Cazeaux. An updated list of readings for this edition includes selections from Agamben, Butler, Guattari, Nancy, Virilio, and ?i?ek. Suggestions for further reading are given, and there is a glossary of over fifty key terms. Ideal for introductory courses in aesthetics, continental philosophy, art, and visual studies, The Continental Aesthetics Reader provides a thorough introduction to some of the most influential writings on art and aesthetics from Kant and Hegel to Badiou and Ranci?.

The Popular & the Canonical

Debating Twentieth-century Literature 1940-2000
Author: David Johnson
Publisher: Psychology Press
ISBN: 9780415351690
Category: Literary Criticism
Page: 452
View: 3924

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This volume ranges from the Second World War to the postmodern, considering issues of the 'popular' and the competing criteria by which literature has been judged in the later twentieth century. As well as tracing the transition from modernism to postmodernism, the authors guide students through debates around the pleasures of the popular and the question of inter-relations between 'mass' and 'high' cultures. Drawing further upon issues of value and function raised in Aestheticism and Modernism: Debating Twentieth-Century Literature 1900–1960, they examine contemporary literary prizes and the activity of judgement involved in English Studies. This text can be used alongside the other books in the series for a complete course on twentieth-century literature, or on its own as essential reading for students of mid to late twentieth-century writing. Texts examined in detail include: du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise, Barker's The Ghost Road.

Lyotard and the figural in Performance, Art and Writing


Author: Kiff Bamford
Publisher: Bloomsbury Publishing
ISBN: 1441108750
Category: Philosophy
Page: 224
View: 2654

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This original study offers a timely reconsideration of the work of French philosopher Jean-François Lyotard in relation to art, performance and writing. How can we write about art, whilst acknowledging the transformation that inevitably accompanies translations of both media and temporality? That is the question that persistently dogs Lyotards own writings on art, and to which this book responds through reference to artists from the recently-formed canon of performance art history, including the myths of seminal figures Marina Abramovic and Vito Acconci, and the controlled documentation of Gina Panes actions. Through the unstable, untranslatable element that Lyotard calls the figural, his thought is brought to bear on attempts to write a history of performance art and to question the paradoxically prescriptive demand for rules to govern re-performance. Kiff Bamford contextualises Lyotards writings and approach with reference to both his contemporaries, including Deleuze and Kristeva, and the contemporary art about which they wrote, whilst arguing for the pertinence of Lyotards provocations today.

Art in the Making

Aesthetics, Historicity and Practice
Author: Kerstin Mey
Publisher: Peter Lang
ISBN: 9783906764931
Category: Art
Page: 298
View: 3097

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Contemporary cultural practices have blurred and eroded traditional disciplinary boundaries of art and its discourses, and the ways in which they are taught. They have called into question the ideological premises and cultural assumptions on which traditional academic subjects were founded and which have underwritten the segregation between practice, pragmatic and speculative thought. The Scottish "Theoros - Forum for Interdisciplinary Debate "was jointly initiated by the Department of Philosophy and the School of Fine Art at the University of Dundee to create a space for dialogue between and across the various disciplines that are concerned with the study of visual arts: practice, aesthetics, theory, history and criticism. "Theoros "has initiated a series of international conferences bringing together professionals who are engaged in the research and teaching of art from different disciplinary perspectives. This volume contains selected contributions to the first Scottish "Theoros "conference on 'Aesthetics, Historicity and Practice', held in Dundee in 1998. Historicity marks the temporal nature of our existence and experience. It forms a central aspect in the making of and reflection on art. Here historicity is explored as a common ground for the integration of practice, critical thought and historical enquiry in the spaces of higher education and professional engagement.

Liberalism and Human Suffering

Materialist Reflections on Politics, Ethics, and Aesthetics
Author: A. Abbas
Publisher: Springer
ISBN: 0230113540
Category: Social Science
Page: 244
View: 4992

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A materialist critique of the politics, poetics and economics of suffering in liberalism that argues for attention to the labour of suffering of the victim in many well-meaning but flawed politics of redress, and imagines forms of representation, solidarity and justice that better honour the history and materiality of this labour.

The Abject of Desire

The Aestheticization of the Unaesthetic in Contemporary Literature and Culture
Author: Konstanze Kutzbach,Monika Mueller
Publisher: Rodopi
ISBN: 9042022647
Category: Literary Criticism
Page: 309
View: 2830

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The Abject of Desire approaches the aestheticization of the unaesthetic via a range of different topics and genres in twentieth-century Anglophone literature and culture. The “experience of disgust”, which Winfried Menninghaus describes as “an acute crisis of self-preservation”, is correlated with conceptualizations of gender in theories of the abject/abjection. In view of this general crisis of identity in the experience of disgust, the contributions to this volume discuss examples of the aestheticization of the unaesthetic in cultural representations and locate conceptual (re)codings of the body, gender, and identity with regard to the abject as an immediate and uncompromising experience on the one hand, and a social and political phenomenon on the other. Considering a variety of cultural narratives by writers as diverse as Samuel Delany, Sarah Schulman, Joyce Carol Oates, Leslie Marmon Silko, Paul Magrs, J. G. Ballard, Stevie Smith, T. C. Boyle, Joseph Conrad, Poppy Z. Brite, and Will Self, by film directors John Waters and Peter Greenaway, playwrights Girish Karnad and Mahesh Dattani, and “body artist” Gunter von Hagens, the contributors to this volume scrutinize different implications of the ambivalent concept of the abject/abjection.

Metaphor and Continental Philosophy

From Kant to Derrida
Author: Clive Cazeaux
Publisher: Routledge
ISBN: 1134347790
Category: Philosophy
Page: 240
View: 6746

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Over the last few decades there has been a phenomenal growth of interest in metaphor as a device which extends or revises our perception of the world. Clive Cazeaux examines the relationship between metaphor, art and science, against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. He contextualizes recent theories of the cognitive potential of metaphor within modern European philosophy and explores the impact which the notion of cognitive metaphor has on key positions and concepts within aesthetics, epistemology and the philosophy of science.

Anatheism

Returning to God After God
Author: Richard Kearney
Publisher: Columbia University Press
ISBN: 0231519869
Category: Religion
Page: 272
View: 466

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Has the passing of the old God paved the way for a new kind of religious project, a more responsible way to seek, sound, and love the things we call divine? Has the suspension of dogmatic certainties and presumptions opened a space in which we can encounter religious wonder anew? Situated at the split between theism and atheism, we now have the opportunity to respond in deeper, freer ways to things we cannot fathom or prove. Distinguished philosopher Richard Kearney calls this condition ana-theos, or God after God-a moment of creative "not knowing" that signifies a break with former sureties and invites us to forge new meanings from the most ancient of wisdoms. Anatheism refers to an inaugural event that lies at the heart of every great religion, a wager between hospitality and hostility to the stranger, the other the sense of something "more." By analyzing the roots of our own anatheistic moment, Kearney shows not only how a return to God is possible for those who seek it but also how a more liberating faith can be born. Kearney begins by locating a turn toward sacred secularity in contemporary philosophy, focusing on Maurice Merleau-Ponty and Paul Ricoeur. He then marks "epiphanies" in the modernist masterpieces of James Joyce, Marcel Proust, and Virginia Woolf. Kearney concludes with a discussion of the role of theism and atheism in conflict and peace, confronting the distinction between sacramental and sacrificial belief or the God who gives life and the God who takes it away. Accepting that we can never be sure about God, he argues, is the only way to rediscover a hidden holiness in life and to reclaim an everyday divinity.

Cinesexuality


Author: Ms Patricia MacCormack
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409491323
Category: Social Science
Page: 184
View: 7329

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Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to challenge traditional notions of what elicits pleasure and constitutes desiring subjectivity. Through a variety of cinematic examples, including abstract film, extreme films and films which present perverse sexuality and corporeal reconfiguration, Cinesexuality encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches. Film as its own form of philosophy invokes spectatorship thought as an ethics of desire. Original, exciting and theoretically sophisticated – focusing on continental philosophy, particularly Guattari, Deleuze, Blanchot, Foucault, Lyotard, Irigaray and Serres – the book will be of interest to scholars and students of queer, gender and feminist studies, film and aesthetics theory, cultural studies, media and communication, post-structural theory and contemporary philosophical thought.

Art, Research, Philosophy


Author: Clive Cazeaux
Publisher: Taylor & Francis
ISBN: 131765482X
Category: Social Science
Page: 192
View: 9915

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Art, Research, Philosophy explores the emergent field of artistic research: art produced as a contribution to knowledge. As a new subject, it raises several questions: What is art-as-research? Don’t the requirements of research amount to an imposition on the artistic process that dilutes the power of art? How can something subjective become objective? What is the relationship between art and writing? Doesn’t description always miss the particularity of the artwork? This is the first book-length study to show how ideas in philosophy can be applied to artistic research to answer its questions and to make proposals for its future. Clive Cazeaux argues that artistic research is an exciting development in the historical debate between aesthetics and the theory of knowledge. The book draws upon Kant, phenomenology and critical theory to show how the immediacies of art and experience are enmeshed in the structures that create knowledge. The power of art to act on these structures is illustrated through a series of studies that look closely at a number of contemporary artworks. This book will be ideal for postgraduate students and scholars of the visual and creative arts, aesthetics and art theory.

The Continental Philosophy Reader


Author: Richard Kearney
Publisher: Psychology Press
ISBN: 9780415095259
Category: Philosophy
Page: 481
View: 6036

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The Continental Philosophy Reader is the first complete anthology of classic writings from the major figures in European thought and provides a powerful introduction to one of the 20th century's most influential intellectual movements.

The Continental Ethics Reader


Author: Matthew Calarco,Peter Atterton
Publisher: Psychology Press
ISBN: 9780415943307
Category: Philosophy
Page: 299
View: 6381

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Song from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately connected to the awakening of Azerbaijanian national consciousness while ruled by the Russian Empire and the USSR, mugham is inseparable from the contexts in which it is produced and heard. Inna Naroditskaya provides the historical and political contexts for mugham and profiles the musicians, musical genealogies, and musical institutions of Azerbaijan.

Texte, Körper, Räume

zum Verhältnis von Theorie und Praxis im experimentellen Theater : Symposium
Author: Armin Anders
Publisher: N.A
ISBN: N.A
Category: Experimental theater
Page: 175
View: 6272

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The Continental Philosophy of Film Reader


Author: Joseph Westfall
Publisher: Bloomsbury Publishing
ISBN: 1474275699
Category: Philosophy
Page: 680
View: 5694

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The first collection of its kind, The Continental Philosophy of Film Reader is the essential anthology of writings by continental philosophers on cinema, representing the last century of film-making and thinking about film, as well as all of the major schools of Continental thought: phenomenology and existentialism, Marxism and critical theory, semiotics and hermeneutics, psychoanalysis, and postmodernism. Included here are not only the classic texts in continental philosophy of film, from Benjamin's “The Work of Art in the Age of Mechanical Reproduction” to extracts of Deleuze's Cinema and Barthes's Mythologies, but also the earliest works of Continental philosophy of film, from thinkers such as Georg Lukács, and little-read gems by philosophical giants such as Sartre and Beauvoir. The book demonstrates both the philosophical significance of these thinkers' ideas about film, as well their influence on filmmakers in Europe and across the globe. In addition, however, this wide-ranging collection also teaches us how important film is to the last century of European philosophical thought. Almost every major continental European thinker of the twentieth and twenty-first centuries has had something to say-sometimes, quite a lot to say-about cinema: as an art form, as a social or political phenomenon, as a linguistic device and conveyor of information, as a projection of our fears and desires, as a site for oppression and resistance, or as a model on the basis of which some of us, at least, learn how to live. Purpose built for classroom use, with pedagogical features introducing and contextualizing the extracts, this reader is an indispensable tool for students and researchers in philosophy of film, film studies and the history of cinema.

Theatre of Catastrophe

New Essays on Howard Barker
Author: David Ian Rabey
Publisher: N.A
ISBN: 9781840026948
Category:
Page: 240
View: 3342

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In this book 15 varied essays discuss the style, language and vision of one of Britain's most influential and controversial playwrights. Focusing on different aspects of what Barker has called the 'Theatre of Catastrophe', an international range of academics offer illuminating intepretations of his work.

Syn/aesthetics

Touch, Sound, and Vision in the Works of Gertrude Stein, Djuna Barnes, and Muriel Rukeyser
Author: Rebecca L. Scherr
Publisher: N.A
ISBN: N.A
Category:
Page: 436
View: 2409

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Design Studies

A Reader
Author: Hazel Clark,David Brody
Publisher: Berg Pub Limited
ISBN: 9781847882363
Category: Art
Page: 658
View: 6534

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Design Studies: A Reader is the ideal entry point for any student who wants to understand the many complex roles of design--as process, product, function, symbol, and use. Reflecting the diverse range of perspectives on design, the reader brings together over 70 key texts. The essays are presented in themed sections covering history, methods, theory, visuality, identity, consumption, labor, industrialization, new technology, sustainability, and globalization. Each section is separately introduced and each concluded with a guide to further reading. Authors include: Theodor Adorno, Arjun Appadurai, Rayner Banham, Jean Baudrillard, Pierre Bourdieu, Cheryl Buckley, Michel de Certeau, Margaret Crawford, Michel Foucault, Buckminster Fuller, Paul du Gay, Erving Goffman, Donna Haraway, John Chris Jones, Guy Julier, Naomi Klein, Ezio Manzini, Victor Margolin, and many others. In addition, a final section of specially commissioned essays analyzes 10 seminal designs of the 20th Century, from Helvetica to the cell phone. Bringing together the best classic and contemporary writing, Design Studies: A Reader will be invaluable to all students of Design as well as to students of Architecture, Art, Material Culture and Sociology.

Continental Aesthetics

Romanticism to Postmodernism: An Anthology
Author: Richard Kearney,David Rasmussen
Publisher: Blackwell Publishing
ISBN: 9780631216117
Category: Philosophy
Page: 476
View: 845

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This comprehensive anthology provides a collection of classic and contemporary readings in continental aesthetics. Extending from romanticism through modernism to postmodernism, the volume includes landmark texts that have sparked renewed interest in aesthetics, including works by Kant, Nietzsche, Hegel, Heidegger, Sartre, Lukács, Habermas, Foucault, Kristeva, and Derrida. The range and significance of the primary sources presented, together with the editors' introductions, make this volume essential for anyone interested in aesthetics or philosophy of art.