The Afterlife of Charles Dickens's "Great Expectations" in the Late 20th and Early 21st Century

The differences in modern adaptations: reliable ''faithful'' vs. unreliable ''unfaithful'' adaptation
Author: Enver Kazić
Publisher: GRIN Verlag
ISBN: 3668208794
Category: Literary Criticism
Page: 24
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Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, grade: A, University of Sarajevo, course: English Language and Literature, language: English, abstract: It seems that the 19th-century industrial development and generally the period called Victorian age was not suitable for the urban writer such as Dickens. It should not come as a surprise that Dickens was not very satisfied with the period he lived in, or with people around him. The fact that he had already sold the lease on his London house and moved to the swamp – North Kent Marshes, before he started to write the novel “Great Expectations” may come as a proof for this statement. Dickens was forty-eight then, and he could not stand pollution and bad public health, or the famous London fog of which he wrote so much in his novels “Bleak House” and “Our Mutual Friend”. There is however always a huge diversion between rural and urban in Dickens’ novels, especially in “Great Expectations”. Because of this huge distinction Tristan Sipley in her work ‘The Revenge of ‘Swamp Thing’: Wetlands, Industrial Capitalism, and the Ecological Contradiction of Great Expectations’ divides Dickens in the two groups – “pastoral Dickens” and “gritty urban Dickens”. In “Great Expectations” marsh, the place where the main protagonist – Pip lives (the marsh) is without a doubt showed as a place of wrongdoings, criminality and everything bad.

Charles Dickens's Great Expectations

A Cultural Life, 1860–2012
Author: Mary Hammond
Publisher: Routledge
ISBN: 1317168240
Category: Literary Criticism
Page: 312
View: 788

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Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.

The Pleasures of Memory

Learning to Read with Charles Dickens
Author: Sarah Winter
Publisher: Oxford University Press
ISBN: 0823233537
Category: Literary Criticism
Page: 486
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What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Rendering literary history responsive to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways that Dickens's serial fiction shaped not only the popular practice of reading for pleasure and instruction associated with the growth of periodical publication in the nineteenth century but also the school subject we now know as English.Examining the full scope of Dickens's literary production, Winter shows how his serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning and reading founded on the cumulative functioning of memory, Dickens's serial novels consistently lead readers to reflect on their reading as a form of shared experience, thus channeling their personal memories of Dickens's unforgettablescenes and characters into a public reception reaching across social classes. Dickens's celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth-century educational reforms in Britain and the United States consolidated Dickens's heterogeneous constituency of readers into the masspopulations served by national and state school systems, however, Dickens's beloved novels came to embody the socially inclusive and humanizing goals of democratic education.

Leaving Springfield

The Simpsons and the Possibility of Oppositional Culture
Author: John Alberti
Publisher: Wayne State University Press
ISBN: 9780814328491
Category: Drama
Page: 344
View: 2182

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A study of the landmark television program The Simpsons which focuses on the show's dual roles as subversive political satire and mainstream mass media hit.

Relics of Death in Victorian Literature and Culture

Author: Deborah Lutz
Publisher: Cambridge University Press
ISBN: 1316240711
Category: Literary Criticism
Page: N.A
View: 8380

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Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

David Copperfield

Author: Charles Dickens
Publisher: Wordsworth Editions
ISBN: 9781853260247
Category: Fiction
Page: 837
View: 6012

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Following the life of David Copperfield through sufferings and adversity, this book helps reader find many light-hearted moments in the company of a host of English fiction's stars including Mr Micawber, Traddles, Uriah Heep, Creakle, Betsy Trotwood, and the Peggoty family.

David Copperield

Author: Edited By S.E. Paces
Publisher: S. Chand Publishing
ISBN: 8121922534
Category: Juvenile Fiction
Page: N.A
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Great Stories in Easy English

Charles Dickens's Our Mutual Friend

A Publishing History
Author: Sean Grass
Publisher: Routledge
ISBN: 1317168216
Category: Literary Criticism
Page: 304
View: 7508

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Even within the context of Charles Dickens's history as a publishing innovator, Our Mutual Friend is notable for what it reveals about Dickens as an author and about Victorian publishing. Marking Dickens's return to the monthly number format after nearly a decade of writing fiction designed for weekly publication in All the Year Round, Our Mutual Friend emerged against the backdrop of his failing health, troubled relationship with Ellen Ternan, and declining reputation among contemporary critics. In his subtly argued publishing history, Sean Grass shows how these difficulties combined to make Our Mutual Friend an extraordinarily odd novel, no less in its contents and unusually heavy revisions than in its marketing by Chapman and Hall, its transformation from a serial into British and U.S. book editions, its contemporary reception by readers and reviewers, and its delightfully uneven reputation among critics in the 150 years since Dickens’s death. Enhanced by four appendices that offer contemporary accounts of the Staplehurst railway accident, information on archival materials, transcripts of all of the contemporary reviews, and a select bibliography of editions, Grass’s book shows why this last of Dickens’s finished novels continues to intrigue its readers and critics.

The Third Policeman

A Novel
Author: Flann O'Brien
Publisher: Dalkey Archive Press
ISBN: 9781564782144
Category: Fiction
Page: 200
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With the publication of The Third Policeman, Dalkey Archive Press now has all of O'Brien's fiction back in print.

Lacan and the Subject of Language (RLE: Lacan)

Author: Ellie Ragland-Sullivan,Mark Bracher
Publisher: Routledge
ISBN: 1317915917
Category: Psychology
Page: 240
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Originally published in 1991, this volume tackles the diverse teachings of the great psychoanalyst and theoretician. Written by some of the leading American and European Lacanian scholars and practitioners, the essays attempt to come to terms with his complex relation to the culture of contemporary psychoanalysis. The volume presents useful insights into Lacan’s innovative theories on the nature of language and the subject. Many of the essays probe the importance of psychoanalysis for problems of signifier and referent in the philosophy of language; others explore the difficulties men and women have in negotiating the sexual differences that divide them. A major contribution to the new reception of Jacques Lacan in the English-speaking world, Lacan and the Subject of Language will challenge those who believe that they have already ‘mastered’ Lacanian thought. The insights offered here will pave the way for further developments.

Dickens's Early Portrayal of a Victorian Opium Den in "Lazarus Lotus Eating" (1866)

A Story of Fear and Fascination
Author: Sabrina Rutner
Publisher: GRIN Verlag
ISBN: 3668476179
Category: Literary Criticism
Page: 25
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Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Frankfurt (Main), language: English, abstract: The magazine article “Lazarus Lotus Eating” is often mentioned in academic literature as the first published Victorian nineteenth-century journalistic article which was indicative of a shift in the portrayal of opium dens. The article is especially noteworthy it is still more ambiguous and complex in its attitude towards the Orient than the journalistic articles and fictional opium-den-portrayals that would follow it. Hence, in “Lazarus Lotus Eating” the narrator undergoes a great change as his initial racist and xenophile attitude towards the Oriental foreigners changes drastically in the course of the story to feelings of pity and empathy for the poor, pathetic and miserable Oriental opium addicts. However, there are very few academic texts which provide detailed analysis of Dickens's “Lazarus Lotus Eating” which is necessary to understand the article in its full extent. Academic research has thus not yet fully spotted the article’s ambiguous attitude towards the Orient which constantly alternates between fear and fascination. The paper seeks to close this gap in research by analyzing how Dickens depicts the ambivalent British attitude towards the Orient in his article “Lazarus Lotus Eating” through the portrayal of Lazarus, the opium den, the Oriental opium smokers, the opium master Yahee and the English women in the opium den.

Dickens and Mesmerism

The Hidden Springs of Fiction
Author: Fred Kaplan
Publisher: Princeton University Press
ISBN: 1400869706
Category: Fiction
Page: 276
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Drawing on fresh source material, Fred Kaplan considers the importance From Dickens and Mesmerism of Dickens' involvement with mesmerism for his work and his personality. In so doing he describes a significant intellectual and spiritual movement and provides new and controversial insights into Dickens' fiction. The mesmeric movement in England, particularly its controversial activities during the late 1830s and the 1840s, intensified Dickens' concern with the ways in which people discover and exert their energies and will to control each other. Dickens' own activities as a mesmerist provide the biographical touchstone for his image of himself as a doctor of the mind. Fred Kaplan examines the author's entire oeuvre in a synoptic, thematic fashion, exploring the attitudes shaped by the mesmerists that are reflected in the novels' psychological tensions. The final chapter provides an overview of the Romantic, Victorian, and Modern currents that may be found in Dickens' fascination with mesmeric power. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Moviegoer

A Novel
Author: Walker Percy
Publisher: Open Road Media
ISBN: 1453216251
Category: Fiction
Page: 191
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In this National Book Award­–winning novel, a young man, torn between the forces of tradition and change, searches for meaning in postwar America. On the cusp of his thirtieth birthday, Binx Bolling is a lost soul. A stockbroker and member of an established New Orleans family, Binx’s one escape is the movie theater that transports him from the falseness of his life. With Mardi Gras in full swing, Binx, along with his cousin Kate, sets out to find his true purpose amid the excesses of the carnival that surrounds him. Buoyant yet powerful, The Moviegoer is a poignant indictment of modern values, and an unforgettable story of a week that will change two lives forever. This ebook features an illustrated biography of Walker Percy including rare photos from the author’s estate.

Charles Dickens in Cyberspace

The Afterlife of the Nineteenth Century in Postmodern Culture
Author: Jay Clayton
Publisher: Oxford University Press
ISBN: 9780195347739
Category: Literary Criticism
Page: 280
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Charles Dickens in Cyberspace opens a window on a startling set of literary and scientific links between contemporary American culture and the nineteenth-century heritage it often repudiates. Surveying a wide range of novelists, scientists, filmmakers, and theorists from the past two centuries, Jay Clayton traces the concealed circuits that connect the telegraph with the Internet, Charles Babbage's Difference Engine with the digital computer, Frankenstein's monster with cyborgs and clones, and Dickens' life and fiction with all manner of contemporary popular culture--from comic books and advertising to recent novels and films. In the process, Clayton argues for two important principles: that postmodernism has a hidden or repressed connection with the nineteenth-century and that revealing those connections can aid in the development of a historical cultural studies. In Charles Dickens in Cyberspace nineteenth-century figures--Jane Austen, Charles Darwin, Charles Dickens, Thomas Hardy, Henry James, Ada Lovelace, Joseph Paxton, Mary Shelley, and Mary Somerville--meet a lively group of counterparts from today: Andrea Barrett, Greg Bear, Peter Carey, H?l?ne Cixous, Alfonso Cuar?n, William Gibson, Donna Haraway, David Lean, Richard Powers, Salman Rushdie, Ridley Scott, Susan Sontag, Neal Stephenson, Bruce Sterling, and Tom Stoppard. The juxtaposition of such a diverse cast of characters leads to a new way of understanding the "undisciplined culture" the two eras share, an understanding that can suggest ways to heal the gap that has long separated literature from science. Combining storytelling and scholarship, this engaging study demonstrates in its own practice the value of a self-reflective stance toward cultural history. Its personal voice, narrative strategies, multiple points of view, recursive loops, and irony emphasize the improvisational nature of the methods it employs. Yet its argument is serious and urgent: that the afterlife of the nineteenth century continues to shape the present in diverse and sometimes conflicting ways.

The Lacanian Subject

Between Language and Jouissance
Author: Bruce Fink
Publisher: Princeton University Press
ISBN: 1400885671
Category: Literary Criticism
Page: 240
View: 492

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This book presents the radically new theory of subjectivity found in the work of Jacques Lacan. Against the tide of post-structuralist thinkers who announce "the death of the subject," Bruce Fink explores what it means to come into being as a subject where impersonal forces once reigned, subjectify the alien roll of the dice at the beginning of our universe, and make our own knotted web of our parents' desires that led them to bring us into this world. Lucidly guiding readers through the labyrinth of Lacanian theory--unpacking such central notions as the Other, object a, the unconscious as structures like a language, alienation and separation, the paternal metaphor, jouissance, and sexual difference--Fink demonstrates in-depth knowledge of Lacan's theoretical and clinical work. Indeed, this is the first book to appear in English that displays a firm grasp of both theory and practice of Lacanian psychoanalysis, the author being one of the only Americans to have undergone full training with Lacan's school in Paris. Fink Leads the reader step by step into Lacan's conceptual system to explain how one comes to be a subject--leading to psychosis. Presenting Lacan's theory in the context of his clinical preoccupations, Fink provides the most balanced, sophisticated, and penetrating view of Lacan's work to date--invaluable to the initiated and the uninitiated alike.

A Short History of Nearly Everything

Author: Bill Bryson
Publisher: Anchor Canada
ISBN: 0385674503
Category: Science
Page: 560
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One of the world’s most beloved and bestselling writers takes his ultimate journey -- into the most intriguing and intractable questions that science seeks to answer. In A Walk in the Woods, Bill Bryson trekked the Appalachian Trail -- well, most of it. In In A Sunburned Country, he confronted some of the most lethal wildlife Australia has to offer. Now, in his biggest book, he confronts his greatest challenge: to understand -- and, if possible, answer -- the oldest, biggest questions we have posed about the universe and ourselves. Taking as territory everything from the Big Bang to the rise of civilization, Bryson seeks to understand how we got from there being nothing at all to there being us. To that end, he has attached himself to a host of the world’s most advanced (and often obsessed) archaeologists, anthropologists, and mathematicians, travelling to their offices, laboratories, and field camps. He has read (or tried to read) their books, pestered them with questions, apprenticed himself to their powerful minds. A Short History of Nearly Everything is the record of this quest, and it is a sometimes profound, sometimes funny, and always supremely clear and entertaining adventure in the realms of human knowledge, as only Bill Bryson can render it. Science has never been more involving or entertaining. From the Hardcover edition.

Leaving the Atocha Station

Author: Ben Lerner
Publisher: Coffee House Press
ISBN: 1566892929
Category: Fiction
Page: 186
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Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.