P. Fr. Abraham à S. Clara, Augustiner Barfüsser-Ordens, Kayserlicher Prediger, und der Zeit Prior, etc., Reim dich, oder Ich liß dich, Das ist: Allerley Materien, Discurs, Concept, und Predigen, welche bißhero in unterschiedlichen Tractätlein gedruckt worden

Nunmehr aber in ein Werck zusammengereimt, und zusammen geraumt, mit einem beygefügten Indice Concionatorio, und neuen Zusatz mehrerer Concepten ; Denen Herren Predigern für ein Interim geschenckt, biß etwas anders bald folgen wird
Author: Abraham (a Sancta Clara)
Publisher: N.A
Page: 437
View: 7275

Continue Reading →

Complete sonatas and variations, for solo piano

Author: Johannes Brahms,Eusebius Mandyczewski
Publisher: Courier Corporation
ISBN: 9780486226507
Category: Music
Page: 178
View: 4389

Continue Reading →

All sonatas, 5 variations on themes from Schumann, Paganini, Handel, etc. Vienna Gesellschaft der Musikfreunde edition.

Complete Transcriptions, Cadenzas and Exercises for Solo Piano

Author: Johannes Brahms
Publisher: Courier Dover Publications
ISBN: 048680061X
Category: Music
Page: 192
View: 893

Continue Reading →

The works of Brahms for solo piano cannot be considered complete without his especially instructive short studies, dances, and cadenzas. This volume contains them all: the five Studies after pieces by Chopin, Weber, and Bach; Transcription of a Gavotte by Gluck; Study after Schubert's Impromptu Op. 90, No. 2; two Gigues; two Sarabandes; a Theme and Variations; ten Hungarian Dances; eight Cadenzas for pieces by Bach, Mozart, and Beethoven; and 51 Piano Exercises. The music is reproduced from the definitive Vienna Gesellschaft der Musikfreunde edition, edited by its renowned musicologist, Eusebius Mandyczewski, who made his revisions from original sources, often Brahms's own manuscripts. For this Dover edition, the Editor's Preface (Revisionbericht) and the Table of Contents have been translated into English. Noteheads have been reproduced in a size large enough to be read easily at the keyboard. margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, running measure numbers, etc. This edition will be welcomed, not only by the instructor and the student, but by all lovers of Brahms and those who will find the volume most practical for reference and other purposes.