Ornament is Crime

Modernist Architecture
Author: Albert Hill,Matt Gibberd
Publisher: Phaidon Press
ISBN: 9780714874166
Category: Architecture
Page: 224
View: 7243

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An unprecedented homage to modernist architecture from the 1920s up to the present day Ornament Is Crime is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.

Programme und Manifeste zur Architektur des 20. Jahrhunderts

Author: N.A
Publisher: Birkhäuser
ISBN: 3035602786
Category: Architecture
Page: 181
View: 2387

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Der erste Band der Bauwelt Fundamente versammelt 34 Texte von Architekten und Architekturtheoretikern, die das Bauen in den ersten sechs Jahrzehnten des 20. Jahrhunderts nachhaltig gestaltet und geprägt haben. 50 Jahre nach Errscheinen ist mit dieser Sammlung von Quellentexten auch ein historisches Dokument der (Selbst-)Reflexion der Architektur wieder lieferbar.

Atlas der nie gebauten Bauwerke

Eine Geschichte großer Visionen
Author: Philip Wilkinson
Publisher: Deutscher Taschenbuch Verlag
ISBN: 3423434430
Category: History
Page: 256
View: 7695

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Fantastisch geplant, nie verwirklicht Ein Wolkenkratzer, der 1,6 Kilometer hoch ist und 528 Stockwerke hat, eine Glaskuppel, die den größten Teil Manhattans bedeckt, ein Triumphbogen in Form eines Elefanten, Leonardo da Vincis Stadt auf zwei Ebenen: mit den nicht gebauten Projekten wurden anspruchsvolle neue Ideen erforscht, Konventionen hinterfragt und Wege in die Zukunft gewiesen. Einige von ihnen sind Meisterwerke, andere vergnügliche Fantasien. Manche Ideen erscheinen unglaublich kühn. Aber sie verweisen auch auf Gebäude, die Jahrzehnte später entstanden sind, wie das Eden Projekt, ein botanischer Garten, unter Kunststoffkuppeln in Cornwall, oder das Hochhaus The Shard in London.

Emigre: GLOBAL DESIGN, VS. Globalism, Critisism, SCIENCE, AUTHENTIcity and Humanism - #67

Author: Rudy VanderLans
Publisher: Princeton Architectural Press
ISBN: 9781568984674
Category: Architecture
Page: 128
View: 6201

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In his essay "Style is Not a Four Letter Word," Mr. Keedy looks at the continuing feud in design between style and content, form and function, and even pleasure and utility, and tries to pin down how style got such a bad reputation, and how restoring its value may save design. Kenneth FitzGerald in "Buzz Kill" continues to be amazed at the gyrations designers will go through to try and place themselves beyond criticism. His essay tries to drive a stake through the common techniques used by designers to neutralize criticism. Anthony Inciong mourns the fact that design no longer leads but answers to the market and how this coincides with the dumbing down of design education. He recommends an increase in theory, history, and research as a way for young designers to build an awareness of the culture in which they and their objects will live. Michael Schmidt and Katherine McCoy, in two separate essays, explore the role of graphic design in the age of globalization. Randy Nakamura looks at the continuing attempt by graphic designers to raise design above its middlebrow pedigree. David Cabianca reviews Fred Smeijer's book "Type now: a manifesto, plus work so far." Cabianca, who studies at the University of Reading (UK), looks at what a student of type design may take away from this book. Rudy VanderLans interviews Peter Bilak, the designer of the popular Fedra type family and co-publisher of "DotDotDot" magazine, as well as Dmitri Siegel, a recent Yale graduate who has a knack for writing original and insightful design critiques. Max Kisman lends us a few pages from his ongoing illustrated diary which currently contains over 15,000 pages. Plus, the Readers Respond, featuring letters in response to past issues of Emigre magazine.


Ornament, Structure, and Behavior
Author: Andrea Gleiniger,Georg Vrachliotis
Publisher: Walter de Gruyter
ISBN: 303460887X
Category: Architecture
Page: 108
View: 8299

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As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament – and hence pattern as well – was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960s. Complexity research has ultimately shown that even highly complex, dynamic patterns may be based on simple behavioral rules, and that has allowed the notions of pattern and pattern formation to take on new meanings, that are also central for architecture. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture?

B is for Bauhaus

An A-Z of the Modern World
Author: Deyan Sudjic
Publisher: Penguin UK
ISBN: 0718199472
Category: Architecture
Page: 480
View: 4816

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This book is not a dictionary, though it tells you all you need know about everything from Authenticity to Zips. It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture. It's an essential tool kit for understanding the modern world. It's about what makes a Warhol a genuine fake; the creation of national identities; the mania to collect. It's also about the world seen from the rear view mirror of Grand Theft Auto V; digital ornament and why we value imperfection. It's about drinking a bruisingly dry martini in Adolf Loo's American bar in Vienna, and about Hitchcock's film sets. It's about fashion and technology, about politics and art.

Philosophy of the Arts

An Introduction to Aesthetics
Author: Gordon Graham
Publisher: Routledge
ISBN: 1134563671
Category: Philosophy
Page: 240
View: 9204

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A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.

Design for Need, The Social Contribution of Design

An anthology of papers presented to the Symposium at the Royal College of Art, London, April 1976
Author: Julian Bicknell,Liz Mcquiston
Publisher: Elsevier
ISBN: 1483157407
Category: Art
Page: 160
View: 6671

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Design for Need: The Social Contribution of Design compiles papers presented at the Symposium at the Royal College of Art, London in April 1976. This book focuses on the concept of design as a conditioning, reformist, and practical element in society, which examines and demonstrates actual projects carried out in response to social needs. The topics discussed include the industrial design in dependent countries; social forces that determine the shape of technology; role of the designer in disaster relief; reduction of need by design; role of the artist in a hospital environment; and Lucas workers' initiative. The language of social action; twelve methodologies for design; and future of design education are also deliberated in this text. This publication is intended for professional and student designers aiming to gain knowledge on the extended and systematic study and development of design applications.

Ornament und Verbrechen

Author: Adolf Loos
Publisher: N.A
ISBN: 9783993000912
Category: Decorative arts
Page: 205
View: 4103

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Der Pionier der modernen Architektur ist nicht nur für seine Bauwerke bekannt, sondern auch für seine scharfzüngigen Polemiken. Adolf Loos Kampf gegen Vergeudung edlen Materials, gegen leere Ornamente und unnötigen Aufputz war kompromisslos. So zählt auch die Streitschrift 'Ornament und Verbrechen' zu seinen wohl berühmtesten Texten, die in diesem Band mit zahlreichen Essays und Vorträgen in schlichtem und elegantem Design neu aufgelegt wird.

Ornament and Crime

Selected Essays
Author: Adolf Loos
Publisher: N.A
ISBN: 9781572410466
Category: Art
Page: 204
View: 2819

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Contains thirty-six original essays by the celebrated Viennese architect, Adolf Loos (1870-1933). Most deal with questions of design in a wide range of areas, from architecture and furniture, to clothes and jewellery, pottery, plumbing, and printing; others are polemics on craft education and training, and on design in general. Loos, the great cultural reformer and moralist in the history of European architecture and design was always a 'revolutionary against the revolutionaries'. With his assault on Viennese arts and crafts and his conflict with bourgeois morality, he managed to offend the whole country. His 1908 essay 'Ornament and Crime', mocked by an age in love with its accessories, has come to be recognised as a seminal work in combating the aesthetic imperialism of the turn of the century. Today Loos is recognised as one of the great masters of modern architecture.

The Place of Houses

Author: Charles Willard Moore,Gerald Allen,Donlyn Lyndon
Publisher: Univ of California Press
ISBN: 9780520223578
Category: Architecture
Page: 306
View: 1170

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This is a book for people interested in domestic architecture who might wish to build a house of their own, with both philosophical questions and pragmatic matters to be considered as the reader thinks about what is wanted in a house, what needs and desires one wishes it to serve.

Framing Formalism

Riegl's Work
Author: Richard Woodfield
Publisher: Taylor & Francis
ISBN: 9789057013126
Category: Art
Page: 317
View: 9165

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Alois Riegl (1858-1905) was one of the founding fathers of modern formalist criticism. As a member of the Vienna School of Art Historians, he shared their range of interests in the decorative arts, art in transition, conservation and monuments. This collection of critical essays examines various facets of Riegl's work and opens with a new translation of Hans Sedlmayr's famous, and notorious, Die Quintessenze der Lehren Riegls. Included is Julius von Schlosser's assessment of Riegl's contribution to the Vienna School of Art Historians as well as essays by a team of international scholars. This book offers a re-engagement with the ideas of one of the most important and neglected art historians of the 20th century.

When Clothes Become Fashion

Design and Innovation Systems
Author: Ingrid Loschek
Publisher: Berg
ISBN: 1847887465
Category: Design
Page: 256
View: 1155

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When, how and why do clothes become fashion? Fashion is more than mere clothing. It is a moment of invention, a distillation of desire, a reflection of a zeitgeist. It is also a business relying on an intricate network of manufacture, marketing and retail. Fashion is both medium and message but it does not explain itself. It requires language and images for its global mediation. It develops from the prescience of the designer and is dependent on acceptance by observers and wearers alike. When Clothes Become Fashion explores the structures and strategies which underlie fashion innovation, how fashion is perceived and the point at which clothing is accepted or rejected as fashion. The book provides a clear theoretical framework for understanding the world of fashion - its aesthetic premises, plurality of styles, performative impulses, social qualities and economic conditions.

Time Out Paris

Author: Editors of Time Out
Publisher: Time Out Guides
ISBN: 1846703557
Category: Travel
Page: 416
View: 4981

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Time Out's resident team helps you get the best from the fascinating French capital in this annual guide. Along with detailed coverage of the Louvre, the Eiffel Tower and all the major attractions, Time Out Paris gives you the inside track on local culture, with illuminating features and independent reviews throwing the spotlight on everything from ancient street-corner cafés to vital new nightclubs. The 20th edition of Time Out Paris, written by a resident team of journalists, will help you get through the maze of tiny streets and the seemingly endless range of choices.

The World as Design

Author: Otl Aicher
Publisher: John Wiley & Sons
ISBN: 343360584X
Category: Architecture
Page: 190
View: 8750

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Otl Aicher's writings are explorations of the world, a substantive part of his work. In moving through the history of thought and design, building and construction, he assures us of the possibilities of arranging existence in a humane fashion. As ever he is concerned with the question of the conditions needed to produce a civilised culture. These conditions have to be fought for against apparent factual or material constraints and spiritual and intellectual substitutes on offer. Otl Aicher likes a dispute. For this reason, the volume contains polemical statements on cultural and political subjects as well as practical reports and historical exposition. He fights with productive obstinacy, above all for the renewal of Modernism, which he claims has largely exhausted itself in aesthetic visions; he insists the ordinary working day is still more important than the "cultural Sunday". Wolfgang Jean Stock

Venus in Exile

The Rejection of Beauty in Twentieth-century Art
Author: Wendy Steiner
Publisher: Simon and Schuster
ISBN: 0743218809
Category: Art
Page: 304
View: 7304

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Whereas previous eras had celebrated beauty as the central aim of art, the modernist avant-garde were deeply suspicious of beauty and its perennial symbols, woman and ornament, preferring instead the thrill and alienation of the sublime. They rejected harmony, empathy, and femininity in a denial still reverberating through art and social relations today. Exploring this casting of Venus, with all her charms, into exile, Wendy Steiner's brilliant, ambitious, and provocative analysis explores the twentieth century's troubled relationship with beauty. Tracing this strange and damaging history, starting from Kant's aesthetics and Mary Shelley's horrified response in Frankenstein, Steiner untangles the complex attitudes of modernists toward both beauty and the female subject in art. She argues that the avant-garde set out to replace the impurity of woman and ornament with form -- the new arch-symbol of artistic beauty. However, in the process of controlling desire and pleasure in this way, artists admitted the exotic fetish objects of "primitive" cultures -- someone else's power and allure that surely would not overmaster the sophisticated modernist. A century of pornography, shock, and alienation followed, and this rejection of feminine and bourgeois values -- domesticity, intimacy, charm -- kept the female subject an impossible and remote symbol. Ironically, as Steiner reveals, the feminist hostility to the "beauty myth" had a parallel result, leaving Western society alienated from desire and pleasure on all sides. In the course of this elegantly constructed and accessibly written argument, Steiner explores the cultural history of the century just ended, from Dada to Futurism, T. S. Eliot's Wasteland and Picasso's Les Demoiselles d'Avignon to Pumping Iron II: The Women and Deep Throat, Jean-Michel Basquiat and Outsider Art, Naomi Wolf and Cindy Sherman, Thomas Pynchon and Don DeLillo, ranging across art and architecture, poetry and the novel, feminist writing and pornography. Only in recent years, Steiner demonstrates, has our culture begun to see a way out of this damaging impasse, revising the reputations of neglected artists such as Pierre Bonnard, and celebrating pleasure and charm in the arts of the present. By disentangling beauty from a misogynistic view of femininity -- as passive, narcissistic, sentimental, inefficacious -- Western culture now seems ready to return to the female subject and ornament in art, and to accept male beauty as a possibility to explore and celebrate as well. Steiner finds hints of these developments in the work of figures as varied as the painter Marlene Dumas, the novelist Penelope Fitzgerald, and the choreographer Mark Morris as she leads us to a rediscovery and a reclamation of beauty in the Western world. From one of our most thoughtful and ambitious cultural critics, this important and thought-provoking work not only provides us with a searching analysis of where we have been in the last century but reveals the promise of where we might be going in the coming one.