Guy Debord


Author: Andy Merrifield
Publisher: Critical Lives
ISBN: 9781861892614
Category: Biography & Autobiography
Page: 170
View: 2232

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Andrew Merrifield's Guy Debord is a concise yet comprehensive study of one of the foremost intellectual revolutionaries of the twentieth century.

The Society of the Spectacle


Author: Guy Debord
Publisher: Bureau of Public Secrets
ISBN: 0939682060
Category: Philosophy
Page: 160
View: 2004

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Guy Debord was the most influential figure in the Situationist International, the subversive group that helped trigger the May 1968 revolt in France. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical book of the twentieth century. This is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s “détournements.”

Panegyric


Author: Guy Debord
Publisher: Verso
ISBN: 9781859846650
Category: Biography & Autobiography
Page: 181
View: 1556

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"I have written less than most writers. But I have drunk far more than most drinkers. All my life I have seen only troubled times, extreme divisions in society, and immense destruction; I have joined in these troubles. My method will be very simple. I will tell of what I have loved; and, in this light, everything else will become evident... Over the years, more than half the people I knew well had sojourned one or several times in the prisons of various countries; many, no doubt, for political reasons, but all the same a greater number for common law offenses or crimes. So I met mainly rebels or the poor. Our only manifestations, which remained rather rare and bried in the first years, were meant to be completely unacceptable; at first, especially by their form and, later, as they acquired depth, especially by their content. They were not accepted." –Guy Debord Guy Debord, as founding and pivotal figure of the Situationist International, pursued one of the twentieth century's most arch and exciting assaults on modern life. His 1967 Society of the Spectacle (followed, twenty years later, by Comments on the Society of the Spectacle) was a fierce critique of late-capitalist culture and became the signal text for those involved in the political events of May 1968 and beyond. Panegyric is Debord's audacious autobiography, and here for the first time in English is the second, beautifully illustrated volume published together with the spare and classical text of the first. A rare combination of poetry and precision, it tells of something even rarer: a life that refused to adjust to the dominant malignancies of its time.

Guy Debord


Author: Anselm Jappe
Publisher: Univ of California Press
ISBN: 9780520212053
Category: Biography & Autobiography
Page: 188
View: 3616

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This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent attempts to set Debord up as a "postmodern" icon, arguing that he was a social theorist in the Hegelian-Marxist tradition--not a precursor of Jean Baudrillard but an heir of the young Georg Lukács of History and Class Consciousness (1923). Neither hagiographical nor sectarian, Guy Debord places its subject squarely in his historical context: the politicizing Letterist and Situationist "anti-artists" who, in the European aftermath of World War II, sought to criticize and transcend the Surrealist legacy. The book offers a lively, critical, and unusually reliable account of Debord's "last avant-garde" on its way from radical bohemianism to revolutionary theory. Jappe also discusses Debord's films, which are largely inaccessible at present. This English language edition of the book has been revised by the author and features an updated critical bibliography of Debord and the Situationists.

Guy Debord

Revolutionary
Author: Len Bracken
Publisher: N.A
ISBN: 9780922915446
Category: Biography & Autobiography
Page: 267
View: 6376

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A biography of the man who was the major force behind the Situationist International, wrote 'Society of the Spectacle,' considered the best expression of revolutionary thought of the 20th century, and was a major influence on many political and cultural movements including the Paris riots of 1968 and punk rock.

Guy Debord

revolution in the service of poetry
Author: Vincent Kaufmann
Publisher: Univ Of Minnesota Press
ISBN: N.A
Category: Biography & Autobiography
Page: 345
View: 7091

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In this ambitious and innovative biography, Kaufmann deftly locates his subject within the historical and intellectual context of the radical social, political, and artistic movements in which he participated.

Henri Lefebvre

A Critical Introduction
Author: Andrew Merrifield
Publisher: Routledge
ISBN: 1135434964
Category: Architecture
Page: 240
View: 7885

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Philosopher, sociologist and urban theorist, Henri Lefebvre is one of the great social theorists of the twentieth century. This accessible and innovative introduction to the work of Lefebvre combines biography and theory in a critical assessment of the dynamics of Lefebvre's character, thought, and times. Exploring key Lefebvrian concepts, Andy Merrifield demonstrates the evolution of Lefebvre's philosophy, while stressing the way his long and adventurous life of ideas and political engagement live on as an enduring and inspiring interrelated whole.

Debord, Time and Spectacle

Hegelian Marxism and Situationist Theory
Author: Tom Bunyard
Publisher: Historical Materialism Book
ISBN: 9789004225268
Category: Social Science
Page: 430
View: 5241

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Debord, Time and Spectacle addresses the philosophical content of Guy Debord and the Situationists' work. It reconstructs the Hegelian and Marxian elements of Debord's theory of 'spectacle', and presents a critical reading that foregrounds his concerns with time and history.

The Beach Beneath the Street

The Everyday Life and Glorious Times of the Situationist International
Author: Mckenzie Wark
Publisher: Verso Books
ISBN: 1781689407
Category: Philosophy
Page: 208
View: 9080

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Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles. McKenzie Wark delves into the Situationists’ unacknowledged diversity, revealing a world as rich in practice as it is in theory. Tracing the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68, Wark’s take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement – including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong – Wark uncovers an international movement riven with conflicting passions. Accessible to those who have only just discovered the Situationists and filled with new insights, The Beach Beneath the Street rereads the group’s history in the light of our contemporary experience of communications, architecture, and everyday life. The Situationists tried to escape the world of twentieth-century spectacle and failed in the attempt. Wark argues that they may still help us to escape the twenty-first century, while we still can. From the Trade Paperback edition.

The Spectacle 2.0

Reading Debord in the Context of Digital Capitalism
Author: Emiliana Armano
Publisher: N.A
ISBN: 9781911534440
Category:
Page: 239
View: 3610

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The Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism: it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour.

The Writing on the Wall

On the Decomposition of Capitalism and Its Critics
Author: Anselm Jappe
Publisher: John Hunt Publishing
ISBN: 1785355821
Category: Business & Economics
Page: 184
View: 2449

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The 2008 global financial crisis has led to the re-emergence in public discourse of the idea that capitalism could end. For many, it was proof of the notion that capitalist civilisation has an endemic tendency towards crisis that will ultimately bring about its demise. Must we assume, however, that such an eventuality would inevitably result in the liberation of humanity, as many orthodox Marxists claim? Through a collection of specially revised essays, first published in France between 2007 and 2010, Anselm Jappe draws on the radical new perspective of “the critique of value” as a critical tool with which to understand today’s world and to re-examine the question of human emancipation. The Writing on the Wall offers a powerful new analysis of the decomposition of capitalism and its critics.

The game of war

the life and death of Guy Debord
Author: Andrew Hussey
Publisher: Vintage
ISBN: 9780712673747
Category: Biography & Autobiography
Page: 420
View: 3046

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The first biography in English of the modern French revolutionary. Since his death in 1994, Guy Debord has been hailed as one of the key thinkers of his age. Implicated in the events of May 1968, Italian terrorism and murder, he was under surveillance by the French secret police for over a decade. This is the story of the lone, defiant figure who, at one historic moment in 1968, appeared to lead the drift of art and politics in Paris.

Metromarxism

A Marxist Tale of the City
Author: Andrew Merrifield
Publisher: Routledge
ISBN: 1135024855
Category: Social Science
Page: 224
View: 4660

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"Metromarxism" discusses Marxism's relationship with the city from the 1850s to the present by way of biographical chapters on figures from the Marxist tradition, including Marx, Walter Benjamin, Guy Debord, and David Harvey. Each chapter combines interesting biographical anecdotes with an accessible analysis of each individual's contribution to an always-transforming Marxist theory of the city. He suggests that the interplay between the city as center of economic and social life and its potential for progressive change generated a major corpus of work. That work has been key in advancing progressive political and social transformations.

Space, Difference, Everyday Life

Reading Henri Lefebvre
Author: Kanishka Goonewardena,Stefan Kipfer,Richard Milgrom,Christian Schmid
Publisher: Routledge
ISBN: 1135918635
Category: Architecture
Page: 334
View: 6992

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In the past fifteen years, Henri Lefebvre’s reputation has catapulted into the stratosphere, and he is now considered an equal to some of the greats of European social theory (Bourdieu, Deleuze, Harvey). In particular, his work has revitalized urban studies, geography and planning via concepts like; the social production of space, the right to the city, everyday life, and global urbanization. Lefebvre’s massive body of work has generated two main schools of thought: one that is political economic, and another that is more culturally oriented and poststructuralist in tone. Space, Difference, and Everyday Life merges these two schools of thought into a unified Lefebvrian approach to contemporary urban issues and the nature of our spatialized social structures.

The Revolution of Everyday Life


Author: Raoul Vaneigem,Donald Nicholson-Smith
Publisher: PM Press
ISBN: 1604866780
Category: History
Page: 266
View: 1286

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Naming and defining the alienating features of everyday life in consumer society, an impassioned critique of modern capitalism argues that the countervailing impulses that exist within deep alienation present an authentic alternative to nihilistic consumerism. Original.

Paris

The Secret History
Author: Andrew Hussey
Publisher: Bloomsbury Publishing USA
ISBN: 9781608192373
Category: History
Page: 512
View: 7772

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If Adam Gopniks Paris to the Moon described daily life in contemporary Paris, this book describes daily life in Paris throughout its history: a history of the city from the point of view of the Parisians themselves. Paris captures everyones imaginations: Its a backdrop for Prousts fictional pederast, Robert Doisneaus photographic kiss, and Edith Piafs serenaded soldier-lovers; a home as much to romance and love poems as to prostitution and opium dens. The many pieces of the city coexist, each one as real as the next. Whats more, the conflicted identity of the city is visible everywhere-between cobblestones, in bars, on the métro. In this lively and lucid volume, Andrew Hussey brings to life the urchins and artists whove left their marks on the city, filling in the gaps of a history that affected the disenfranchised as much as the nobility. Paris: The Secret History ranges across centuries, movements, and cultural and political beliefs, from Napoleons overcrowded cemeteries to Balzacs nocturnal flight from his debts. For Hussey, Paris is a city whose long and conflicted history continues to thrive and change. The books is a picaresque journey through royal palaces, brothels, and sidewalk cafés, uncovering the rich, exotic, and often lurid history of the worlds most beloved city.

Assimilate

A Critical History of Industrial Music
Author: S. Alexander Reed
Publisher: Oxford University Press
ISBN: 0199339627
Category: Music
Page: 376
View: 4646

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"Industrial" is a descriptor that fans and critics have applied to a remarkable variety of music: the oildrum pounding of Einst?rzende Neubauten, the processed electronic groans of Throbbing Gristle, the drumloop clatter of Skinny Puppy, and the synthpop songcraft of VNV Nation, to name just a few. But the stylistic breadth and subcultural longevity of industrial music suggests that the common ground here might not be any one particular sound, but instead a network of ideologies. This book traces industrial music's attitudes and practices from their earliest articulations--a hundred years ago--through the genre's mid-1970s formation and its development up to the present and beyond. Taking cues from radical intellectuals like Antonin Artaud, William S. Burroughs, and Guy Debord, industrial musicians sought to dismantle deep cultural assumptions so thoroughly normalized by media, government, and religion as to seem invisible. More extreme than punk, industrial music revolted against the very ideas of order and reason: it sought to strip away the brainwashing that was identity itself. It aspired to provoke, bewilder, and roar with independence. Of course, whether this revolution succeeded is another question... Assimilate is the first serious study published on industrial music. Through incisive discussions of musicians, audiences, marketers, cities, and songs, this book traces industrial values, methods, and goals across forty years of technological, political, and artistic change. A scholarly musicologist and a longtime industrial musician, S. Alexander Reed provides deep insight not only into the genre's history but also into its ambiguous relationship with symbols of totalitarianism and evil. Voicing frank criticism and affection alike, this book reveals the challenging and sometimes inspiring ways that industrial music both responds to and shapes the world. Assimilate is essential reading for anyone who has ever imagined limitless freedom, danced alone in the dark, or longed for more noise.

Notes on the Death of Culture

Essays on Spectacle and Society
Author: Mario Vargas Llosa
Publisher: Farrar, Straus and Giroux
ISBN: 0374710317
Category: Social Science
Page: 240
View: 7194

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A provocative essay collection that finds the Nobel laureate taking on the decline of intellectual life In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation—penned by none other than Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today. Taking his cues from T. S. Eliot—whose essay "Notes Toward a Definition of Culture" is a touchstone precisely because the culture Eliot aimed to describe has since vanished—Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue. A necessary gadfly, the Nobel laureate Vargas Llosa, here vividly translated by John King, provides a tough but essential critique of our time and culture.

In the Café of Lost Youth


Author: Patrick Modiano
Publisher: New York Review of Books
ISBN: 1590179536
Category: Fiction
Page: 118
View: 7890

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"Who was Louki? Did anyone really know? She made her mark on all of us in different ways. We all remember her, some of us more than others, but did any of us truly know her? Can anyone honestly say they know another person? In the Cafe of Lost Youth is vintage Patrick Modiano, an absorbing evocation of a particular Paris of the 1950s, shadowy and shady, a secret world of writers, criminals, drinkers, and drifters. The novel, which includes vignettes of a number of historical figures and is inspired in part by the circle (depicted in the photographs of Ed van der Elsken) of the notorious and charismatic Guy Debord, centers on the enigmatic, waiflike figure of Louki, who catches everyone's attention even as she eludes possession or comprehension. Through the eyes of four very different narrators, we contemplate Louki's character and her fate, while Modiano explores the themes of identity, memory, time, and forgetting that are at the heart of his hypnotic and deeply moving art"--