Burning Your Boats

Collected Short Stories
Author: Angela Carter
Publisher: Random House
ISBN: 1409040836
Category: Fiction
Page: 576
View: 5858

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WITH AN INTRODUCTION BY SALMAN RUSHDIE As well as her eight novels, Angela Carter published four wonderful collections of short stories during her lifetime, and contributed stories to several anthologies. The stories were scattered amongst different publishers, and a couple of the volumes are now out of print. In Burning your Boats they are gathered for the first time; this is a key collection and a major event for Angela Carter aficionados.

Christianity in the Crosshairs

Real Life Solutions Discovered in the Line of Fire
Author: Bill Wilson
Publisher: Destiny Image Publishers
ISBN: 0768429684
Category: Religion
Page: 207
View: 4259

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Bill Wilson, founder of Metro Ministries in New York City, has lived and ministered in the inner city for 35 years. Living directly in the line of fire Wilson has discovered, developed and applied valuable spiritual truths that have helped him build the largest Sunday School in the United States -- his staff ministers to 20,000 kids every week.

Heterotopia in Angela Carter’s Fiction: Worlds in Collision


Author: Eliza Claudia Filimon
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954891778
Category: Language Arts & Disciplines
Page: 332
View: 8992

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Angela Carter’s work is a collage of discourses and genres. The challenge of finding a critical framework, complex and accurate enough to classify her work, has remained. The spectacular and the pragmatic threads of her texts, framed by extreme seriousness and witty humour are unravelled with the help of a different metaphor, denoting enigmatic spaces, conterdiscourses, borders of otherness – heterotopia. Five novels out of nine, five short stories out of thirty-five, as well as Carter’s two film adaptations are filtered through a term extricated from its medical and geographical roots, which emphasizes the ambiguity, as well as the dialogic interaction of Angela Carter’s often discordant discourses that have kept her at the top of the literary canon.

Angela Carter: New Critical Readings


Author: Sonya Andermahr,Lawrence Phillips
Publisher: A&C Black
ISBN: 1441141111
Category: Literary Criticism
Page: 272
View: 8584

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Bringing together leading international scholars of contemporary fiction and modern women writers, this book provides authoritative new critical readings of Angela Carter's work from a variety of innovative theoretical and disciplinary approaches. Angela Carter: New Critical Readings both evaluates Carter's legacy as feminist provocateur and postmodern stylist, and broaches new ground in considering Carter as, variously, a poet and a 'naturalist'. Including coverage of Carter's earliest writings and her journalism as well as her more widely studied novels, short stories and dramatic works, the book covers such topics as rescripting the canon, surrealism, and Carter's poetics.

Angela Carter and Surrealism

'A Feminist Libertarian Aesthetic'
Author: Anna Watz
Publisher: Routledge
ISBN: 113496854X
Category: Literary Criticism
Page: 202
View: 2844

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In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.

How Not to Murder Your Mother


Author: Stephanie Calman
Publisher: Pan Macmillan
ISBN: 0230738729
Category: Biography & Autobiography
Page: 324
View: 7071

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Stephanie Calman moves on from bad motherhood, failed grown-upness to the ultimate in tricky relationships: that of mother and daughter. In typically candid Calman style she serves up a painfully acute examination of the human condition, softened by the bellylaugh of recognition that will seize all who read her. As a generation finds itself parenting its parents while still trying to haul up its children, she has – once again – hit the zeitgeist firmly over the head.

Das Wunder von Berlin

1936: Wie neun Ruderer die Nazis in die Knie zwangen
Author: Daniel James Brown
Publisher: Riemann Verlag
ISBN: 3641093309
Category: History
Page: 496
View: 8726

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Der Millionenseller aus den USA Von Beginn an ist es eine Reise mit unwahrscheinlichem Ausgang: Neun junge Männer aus der amerikanischen Provinz machen sich 1936 auf den Weg nach Berlin, um die Goldmedaille im Rudern zu gewinnen. Daniel James Brown schildert das Schicksal von Joe Rantz, einem Jungen ohne Perspektive, der rudert, um den Dämonen seiner Vergangenheit zu entkommen und seinen Platz in der Welt zu finden. Wie er und seine Freunde vor den laufenden Kameras Leni Riefenstahls den Nazis ihre Propagandashow stehlen, ist ein atemberaubendes Abenteuer und zugleich das eindringliche Porträt einer Ära. Eine unvergessliche wahre Geschichte von Entschlossenheit, Überleben und Mut.

Dictionary of Literature in English


Author: Neil King,Sarah King
Publisher: Taylor & Francis
ISBN: 9781579583811
Category: Literary Criticism
Page: 189
View: 3496

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While white racism has global dimensions, it has an unshakeable lease on life in South African political organizations and its educational system. Donnarae MacCann and Yulisa Maddy here provide a thorough and provocative analysis of South African children's literature during the key decade around Nelson Mandela's release from prison. Their research demonstrates that the literature of this period was derived from the same milieu -- intellectual, educational, religious, political, and economic -- that brought white supremacy to South Africa during colonial times. This volume is a signal contribution to the study of children's literature and its relation to racism and social conditions.

War of the Words


Author: Joy Press
Publisher: Three Rivers Press (CA)
ISBN: 9780609808535
Category: Literary Criticism
Page: 318
View: 9680

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Bringing together some of the most exhilarating writing from the "Voice Literary Supplement, War of the Words" delivers a fresh and complex new perspective.

Angela Carter


Author: Linden Peach
Publisher: Macmillan International Higher Education
ISBN: 1137144777
Category: Literary Criticism
Page: 208
View: 2548

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This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

Silver Birch, Blood Moon


Author: Ellen Datlow,Terri Windling
Publisher: Open Road Media
ISBN: 1497668611
Category: Fiction
Page: 384
View: 3911

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Winner of the World Fantasy Award: New twists on classic fairy tales from Neil Gaiman, Patricia Briggs, Robin McKinley, Caitlín R. Kiernan, and more. Long ago, when we were children, our dreams were inspired by the fairy tales we heard at our mothers’ and grandmothers’ knees—stories of princesses and princes and witches and wondrous enchantments, by the Brothers Grimm and Hans Christian Andersen, and from the pages of 1001 Arabian Nights. But, as World Fantasy Award–winning editors Ellen Datlow and Terri Windling remind us, these stories were often tamed and sanitized versions. The originals were frequently darker—and in Silver Birch, Blood Moon, they turn darker still. Twenty-one modern Grimms and Andersens—masterful storytellers including Neil Gaiman, Nancy Kress, and Tanith Lee—now reinvent beloved bedtime stories for our time. The Sea Witch gets her say, relating the story of “The Little Mermaid” from her own point of view. “Thumbelina” becomes a tale of creeping horror, while a delightfully naughty spin is put on “The Emperor’s New Clothes.” Author Caitlín R. Kiernan transports Snow White to a dark, gritty, industrial urban setting, and Patricia Briggs details “The Price” of dealing with a royal and unrepentantly evil Rumpelstiltskin. Rich, provocative, and unabashedly adult, each of these tales is a modern treasure, reminding us that wishes have consequences and not all genies have our best interests at heart.

The Body of the Postmodernist Narrator

Between Violence and Artistry
Author: Fatima Festić
Publisher: Cambridge Scholars Publishing
ISBN: 1443808210
Category: Literary Criticism
Page: 235
View: 2649

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The goal of this book is to elaborate the theoretical framework with regard to reading postmodern fiction from the perspective of the bodies of their narrators as textual occurrences. It centers on Lacanian psychoanalysis and the intersection between its various political interpretations and feminist theories. The emphasis is on the register of the real, on the domain of trauma as it appears in contemporary world, literature and history and on attempts at artistic resolution of its consequences. Since postmodernism is widely interpreted as a Western phenomenon, the book tries to show its dependence on much broader spatial, political, cultural and ideological dimensions, taking as index the darker side of literature, such as murder and destruction, dark courses of desire and the repercussions of their externalization in the reality of life. Focusing on the conditions that link contemporary cultures to the narratives and narrators’ bodies, the book exposes the potential of bodies revealed in the act of narrating and the ambiguities of their fictionalizing and subjectivizing aspects, taking the body as the site of repressed knowledge, traumas, resistance and manipulative desires. The analysis of the fictional works aims to point out a missing link between imagination and the real historical conditions from which imagination derives as well as the discursive struggle to save the tormented, territorialized body from the prismatic world by holding to the “absent referent” and prevent violence caused by the uncritical “pleasure principle”.

The Disney Middle Ages

A Fairy-Tale and Fantasy Past
Author: T. Pugh,S. Aronstein
Publisher: Springer
ISBN: 113706692X
Category: Performing Arts
Page: 298
View: 9314

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For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.

The Shell Seekers


Author: Rosamunde Pilcher
Publisher: St. Martin's Press
ISBN: 1250032199
Category: Fiction
Page: 560
View: 876

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At the end of a long and useful life, Penelope Keeling's prized possession is The Shell Seekers, painted by her father, and symbolizing her unconventional life, from bohemian childhood to wartime romance. When her grown children learn their grandfather's work is now worth a fortune, each has an idea as to what Penelope should do. But as she recalls the passions, tragedies, and secrets of her life, she knows there is only one answer...and it lies in her heart, in this beloved Cornwall novel from Rosamunde Pilcher.

Once Upon a Time

A Short History of Fairy Tale
Author: Marina Warner
Publisher: OUP Oxford
ISBN: 0191028770
Category: Literary Criticism
Page: 176
View: 5256

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From wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over a long writing life, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich hoard of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Her book makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

Last to Know

A Novel
Author: Elizabeth Adler
Publisher: Minotaur Books
ISBN: 125001994X
Category: Fiction
Page: 336
View: 2707

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Evening Lake: an idyllic, peaceful, western Massachusetts getaway with a close-knit community of families. Detective Harry Jordan sees his lake home as a respite from solving crimes on the streets of Boston...until crime comes to Evening Lake. Harry Jordan is out for a walk when the night is rocked by an explosion: the Havnel house is engulfed in a conflagration and Bea Havnel is seen fleeing, hair on fire, plunging into the lake. Mysterious, rough-around-the edges, and private, Bea and her mother Lacey are newcomers to Evening Lake and nothing like the well-heeled families of the community. Bea survives the fire, but her mother does not, and Harry is pulled into the investigation. As is young Diz Osborne, who, unbeknownst to any of them, carries a weighty secret about who else he saw rowing on the lake that night. When it's discovered that Lacey Havnel died not from the explosion but from a knife wound, it's clear that a murderer is on the loose. And this murderer is poised to strike again, and again. Told with Elizabeth Adler's inimitable style, illuminating descriptions, and intricate family dynamics, Last to Know is the definition of a page-turner.

Fantasies of Gender and the Witch in Feminist Theory and Literature


Author: Justyna Sempruch
Publisher: N.A
ISBN: N.A
Category: Literary Criticism
Page: 190
View: 1885

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Lincoln's Censor examines the effect of government suppression on the Democratic press in Indiana during the spring of 1863. President Abraham Lincoln, who suspended the writ of habeas corpus in 1862, claiming presidential prerogatives given by the Constitution at times of invasion or rebellion, had some political misgivings about the intimidation of Democratic newspapers, but let the practice continue in Indiana from April through June of 1863.

Angela Carter and the Fairy Tale


Author: Danielle Marie Roemer,Cristina Bacchilega
Publisher: Wayne State University Press
ISBN: 9780814329054
Category: Literary Criticism
Page: 269
View: 4427

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A diverse collection of essays, artwork, interviews, and fiction on Angela Carter.

Role-Breaking and Role-Remaking in Angela Carter's the Bloody Chamber


Author: Sabrina Zabel
Publisher: GRIN Verlag
ISBN: 3640424808
Category:
Page: 56
View: 5544

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Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1, Otto-von-Guericke-University Magdeburg (Institut fur fremdsprachliche Philologien), course: Gothic Fiction, language: English, abstract: The attainment of female subjectivity in spite of female sexual maturation, the oppression of female sexuality, the passive role of females bound in the confines of marriage, and as accumulated property are some of the issues that Carter addresses in The Bloody Chamber within the framework of the fairytale genre. Angela Carter adopts Perrault's fairy-tale Bluebeard in her story The Bloody Chamber and transfers it into a feminist rewriting. She breaks through the prescribed role-understanding of women and men in society. Society defines women as being passive, men as being active in every domain of the everyday life. Angela Carter draws a picture against this stigmatization. She does not define women as being merely subversive; victims of male authority and simply fulfilling their role. She wants to show that women have the ability to gain independence and a free will by giving male qualities to her female characters or letting them not behave like society expects them to behave. In society men are said to be powerful and oppressing their wives. They show true qualities of masculinity and exploit their wife's innocence and naivety. Carter on the one hand portrays men as embodying this prescribed role, but also adds female qualities to their actions and behaviours, or being overpowered by their female counterparts. This paper shall show in how far Angela Carter adapts constructed role models, changes them or invents new ones. Therefore the paper is divided into two sections: The first gives a brief overview about the time period as this text is written against the background of the gothic era. The second part concentrates on The Bloody Chamber, which is first of all based on Perrault's Bluebeard story - to realize the