Beowulf (Bilingual Edition)

Author: Seamus Heaney
Publisher: W. W. Norton & Company
ISBN: 0393069753
Category: Poetry
Page: 256
View: 7195

Continue Reading →

New York Times bestseller and winner of the Whitbread Award. Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in ?Beowulf? and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

Beowulf: complete bilingual edition including the original anglo-saxon edition + 3 modern english translations + an extensive study of the poem + footnotes, index and alphabetical glossary

Author: Anonymous,Raymond Wilson Chambers
Publisher: e-artnow
ISBN: 8074849643
Category: Poetry
Page: 256
View: 9747

Continue Reading →

This carefully crafted ebook: “Beowulf: complete bilingual edition including the original anglo-saxon edition + 3 modern english translations + an extensive study of the poem + footnotes, index and alphabetical glossary” contains 5 books in one volume and is formatted for your eReader with a functional and detailed table of contents. Beowulf is the conventional title of an Old English heroic epic poem consisting of 3182 alliterative long lines, set in Scandinavia, commonly cited as one of the most important works of Anglo-Saxon literature. It survives in a single manuscript known as the Nowell Codex. Its composition by an anonymous Anglo-Saxon poet is dated between the 8th and the early 11th century. In 1731, the manuscript was badly damaged by a fire that swept through a building housing a collection of Medieval manuscripts assembled by Sir Robert Bruce Cotton. The poem's existence for its first seven centuries or so made no impression on writers and scholars, and besides a brief mention in a 1705 catalogue by Humfrey Wanley it was not studied until the end of the eighteenth century, and not published in its entirety until the 1815 edition prepared by the Icelandic-Danish scholar Grímur Jónsson Thorkelin. In the poem, Beowulf, a hero of the Geats in Scandinavia, comes to the help of Hroðgar, the king of the Danes, whose mead hall (in Heorot) has been under attack by a monster known as Grendel. After Beowulf slays him, Grendel's mother attacks the hall and is then also defeated. Victorious, Beowulf goes home to Geatland in Sweden and later becomes king of the Geats. After a period of fifty years has passed, Beowulf defeats a dragon, but is fatally wounded in the battle. After his death, his attendants bury him in a tumulus, a burial mound, in Geatland. The numerous different translations and interpretations of Beowulf turn this monumental work into a challenge for the reader. This ebook contains 5 books in one ebook: 1) By Anonymous, edited by Alfred John Wyatt: "Beowulf". This is the anglo-saxon original version based on the autotypes (facsimilies) in Julius Zupitza’s edition of 1882. 2) By John Lesslie Hall: "Beowulf - An Anglo-Saxon Epic Poem". This is a 1892 translation of Beowulf into modern english with notes and comments. 3) By William Morris: "The Tale of Beowulf - Sometime King of the Folk of the Weder Geats". This is an 1895 translation of Beowulf into modern english with notes and comments. 4) By: Francis Barton Gummere: "Beowulf". This is a 1910 translation of Beowulf into modern english , with notes and comments. 5) By: Raymond Wilson Chambers: "Beowulf - An Introduction to the Study of the Poem with a Discussion of the Stories of Offa and Finn".


Author: George Quasha
Publisher: N.A
ISBN: 9780760705605
Category: Beowulf
Page: 120
View: 5486

Continue Reading →


Author: John Gardner,Andreas Vollstädt
Publisher: N.A
ISBN: 9783852861746
Page: 194
View: 3402

Continue Reading →

The Problematic Nature of Defining Grendel’s Mother in "Beowulf"

Author: Giulia Hatton
Publisher: GRIN Verlag
ISBN: 3656904065
Category: Literary Criticism
Page: 23
View: 2447

Continue Reading →

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,0, Free University of Berlin (Institut für Englische Philologie), language: English, abstract: The problematic nature of defining what exactly Grendel’s mother is in "Beowulf" has left little doubt that she has been even further removed from humanness than her son. The problem seems to lie in the difference between modern conceptions of what distinguishes a ‘monster’ from a ‘human’ and the Anglo-Saxon understanding of these terms. A possible explanation for this could be that there has been relatively little exploration of this female figure as an entity independent of her son, and what interest there has been has tended to classify her as a mere-monster, or quite literally, a mere monster. Even in Edward Irving’s rereading of "Beowulf", although he prudently observes that “the feminist movement has given us the power to open our eyes” to the phenomenon of the lack of critical attention given to Grendel’s mother, he still cannot bring himself to view Grendel’s mother as anything other than a monster. In this essay I will attempt to turn the reader’s attention to this female character not as a monster, but as a warrior-woman, one who consciously violates the customs and rituals observed by peace-making women in Germanic society.

The Medieval Motion Picture

The Politics of Adaptation
Author: A. Johnston,M. Rouse,Philipp Hinz
Publisher: Springer
ISBN: 1137074248
Category: Literary Criticism
Page: 233
View: 4961

Continue Reading →

Providing new and challenging ways of understanding the medieval in the modern and vice versa, this volume highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval.


Form, Content, and History
Author: Frederick Turner
Publisher: Routledge
ISBN: 1351296825
Category: Social Science
Page: 386
View: 5192

Continue Reading →

Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development. Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies—and offer permission to future epic writers and composers. The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.

Bookmarks from the past

studies in early English language and literature in honour of Helmut Gneuss
Author: Helmut Gneuss,Lucia Kornexl,Ursula Lenker
Publisher: Peter Lang Pub Inc
ISBN: 9783631516928
Category: Language Arts & Disciplines
Page: 319
View: 8015

Continue Reading →

The papers collected in this volume reflect the long and distinguished career of Professor Helmut Gneuss in the fields of Early English language, literature and culture. The volume will thus be of particular interest to researchers in Standard Old English, Old and Middle English poetry, medieval manuscript studies, palaeography, and the history of English language scholarship.

The Earliest English Poems

Author: none
Publisher: Penguin UK
ISBN: 0141945435
Category: Poetry
Page: 192
View: 3700

Continue Reading →

Anglo-Saxon poetry was produced between 700 and 1000 AD for an audience that delighted in technical accomplishment, and the durable works of Old English verse spring from the source of the English language. Michael Alexander has translated the best of the Old English poetry into modern English and into a verse form that retains the qualities of Anglo-Saxon metre and alliteration. Included in this selection are the ‘heroic poems’ such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous ‘riddles’ from The Exeter Book; all the ‘elegies’, including The Ruin, The Wanderer, The Seafarer, The Wife’s Complaint and The Husband’s Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.

Beowulfes Beorh

das altenglische Beowulf-Epos als kultureller Gedächtnisspeicher
Author: Matthias Eitelmann
Publisher: N.A
Category: Beowulf
Page: 295
View: 336

Continue Reading →

Beowulf der Drachentöter

Author: Rosemary Sutcliff
Publisher: N.A
ISBN: 9783772511905
Category: Dragons
Page: 103
View: 5023

Continue Reading →

Das altenglische Heldenlied erzählt, wie Beowulf aus Gautland am danischen Königshof das menschenfressende Ungetüm Grendel, die Meerhexe und den feuerspeienden Drachen besiegt.

Historical Englishes in Varieties of Texts and Contexts

The Global COE Programme, International Conference 2007
Author: Masachiyo Amano,Michiko Ogura,Masayuki Ohkado
Publisher: Peter Lang Pub Incorporated
Category: Language Arts & Disciplines
Page: 403
View: 4408

Continue Reading →

This volume is a selection of papers read at the second international conference of the Society of Historical English Language and Linguistics (SHELL) held at Nagoya University, Japan, in September 2007, under the auspices of the Graduate School of Letters, Nagoya University, and the Center of Excellence (COE) Program called -Hermeneutic Study and Education of Textual Configuration-. Papers discuss current issues in Old English, Middle English, Modern English and the history of English."

Aeneid Book VI

A New Verse Translation
Author: Seamus Heaney
Publisher: Farrar, Straus and Giroux
ISBN: 9780374537043
Category: Poetry
Page: 112
View: 8896

Continue Reading →

A masterpiece from one of the greatest poets of the century In a momentous publication, Seamus Heaney’s translation of Book VI of the Aeneid, Virgil’s epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O’Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that “there’s one Virgilian journey that has indeed been a constant presence, and that is Aeneas’s venture into the underworld. The motifs in Book VI have been in my head for years—the golden bough, Charon’s barge, the quest to meet the shade of the father.” In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and the sophisticated poetic voice that were on show in his translation of Beowulf, a reimagining which, in the words of James Wood, “created something imperishable and great that is stainless—stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English-language poem.”